Colleen Hooper
Biographic Data
| ID | 6185313 |
|---|---|
| NAME | Colleen Hooper |
| GIVEN NAMES | Colleen |
| FAMILY NAME | Hooper |
| SIGNATURE | HOOPER C |
| AFFILIATIONS | Point Park University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Edith Segal in Detroit: On stage and on the picket line
Edith Segal reimagined her relationship to her audience and created new methods of performing to support political causes during the three years she lived in Detroit, Michigan. She broke away from the expectations associated with modernist aesthetics championed by New York City dance critics and immersed herself in various roles within the Federal Theatre Project (FTP). In oral history interviews and her own writing, Segal described recruiting in…
Ballerinas on the Dole: ” Dance and the U.S. Comprehensive Employment Training Act (Ceta), 1974–1982
The Comprehensive Employment Training Act (CETA) was a program of the US federal government that employed dancers, performers, and other artists to provide public service in municipalities across the country from 1974 to 1982. This article focuses on dancers who participated in the CETA program. It describes this important source of government funding for dance and the arts that has been largely overlooked in scholarship. Through an analysis of o…
The Persistence of Flesh: Amy Greenfield's Dance on Film
No prominent works on this page.
The Persistence of Flesh: Amy Greenfield's Dance on Film
Ballerinas on the Dole: ” Dance and the U.S. Comprehensive Employment Training Act (Ceta), 1974–1982
The Comprehensive Employment Training Act (CETA) was a program of the US federal government that employed dancers, performers, and other artists to provide public service in municipalities across the country from 1974 to 1982. This article focuses on dancers who participated in the CETA program. It describes this important source of government funding for dance and the arts that has been largely overlooked in scholarship. Through an analysis of o…
Edith Segal in Detroit: On stage and on the picket line
Edith Segal reimagined her relationship to her audience and created new methods of performing to support political causes during the three years she lived in Detroit, Michigan. She broke away from the expectations associated with modernist aesthetics championed by New York City dance critics and immersed herself in various roles within the Federal Theatre Project (FTP). In oral history interviews and her own writing, Segal described recruiting in…
Art (3 works) · Dance (3 works) · Diversity and Impact of Dance (3 works) · Visual arts (3 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 works) · Art history (1 works) · Business (1 works)