Rachel Duerden
Biographic Data
| ID | 6185319 |
|---|---|
| NAME | Rachel Duerden |
| GIVEN NAMES | Rachel |
| FAMILY NAME | Duerden |
| SIGNATURE | DUERDEN R |
| AFFILIATIONS | independent scholar |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Stephanie Jordan, Mark Morris
Mark Morris's Dido and Aeneas (1989)
In Mark Morris's Dido and Aeneas (1989) audiences witness a complex web of historical and cultural concerns that not only overlap with those of the story's historical and aesthetic precedents, but also come sharply into focus in relation to our current cultural position. In this close reading of the work in relation to its contexts, we examine the subtle intricacies of Morris's engagement with words, music, and history. Drawing on historical pers…
The Mis-shapen Pearl
Mark Morris's L'Allegro, Il Penseroso ed Il Moderato (1988), embodies ideas about how to live a good life. L'Allegro is unusual in that it is a full evening-length work, yet has no through-narrative; it has characters and action, but these change in each of the many individual sections. However, together these embody a dialogue – really a three (or four or even five)-way discussion between poet, composer and choreographer about the best way to li…
Predictability and Inevitability in Dance-Music Relationships in Mark Morris's Falling Down Stairs
Dancing in the Imagined Space of Music
Dance and music have several features in common – rhythm, metre, tempo, and the fact that they are structured in and through time – but they are also intrinsically different, they each ‘mean’ differently, making the task of talking about their interrelationship challenging. Perhaps, however, this combination of closeness and distance is what makes it possible to see dance as a metaphor for music, and vice versa. The closeness between the two anno…
Stephanie Jordan, Balanchine Choreographs Stravinsky
No prominent works on this page.
Stephanie Jordan, Balanchine Choreographs Stravinsky
Dancing in the Imagined Space of Music
Dance and music have several features in common – rhythm, metre, tempo, and the fact that they are structured in and through time – but they are also intrinsically different, they each ‘mean’ differently, making the task of talking about their interrelationship challenging. Perhaps, however, this combination of closeness and distance is what makes it possible to see dance as a metaphor for music, and vice versa. The closeness between the two anno…
Predictability and Inevitability in Dance-Music Relationships in Mark Morris's Falling Down Stairs
The Mis-shapen Pearl
Mark Morris's L'Allegro, Il Penseroso ed Il Moderato (1988), embodies ideas about how to live a good life. L'Allegro is unusual in that it is a full evening-length work, yet has no through-narrative; it has characters and action, but these change in each of the many individual sections. However, together these embody a dialogue – really a three (or four or even five)-way discussion between poet, composer and choreographer about the best way to li…
Mark Morris's Dido and Aeneas (1989)
In Mark Morris's Dido and Aeneas (1989) audiences witness a complex web of historical and cultural concerns that not only overlap with those of the story's historical and aesthetic precedents, but also come sharply into focus in relation to our current cultural position. In this close reading of the work in relation to its contexts, we examine the subtle intricacies of Morris's engagement with words, music, and history. Drawing on historical pers…
Stephanie Jordan, Mark Morris
Art (6 works) · Art history (6 works) · Musicology and Musical Analysis (5 works) · Dance (4 works) · Visual arts (4 works) · Diversity and Impact of Dance (3 works) · History (3 works) · Literature (3 works) · Performance art (3 works) · Ballet (2 works)