Renate Bräuninger
Biographic Data
| ID | 6185326 |
|---|---|
| NAME | Renate Bräuninger |
| GIVEN NAMES | Renate |
| FAMILY NAME | Bräuninger |
| SIGNATURE | BRÄUNINGER R |
| AFFILIATIONS | independent scholar |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Beth Genné, Dance Me a Song
The Oral Archive as a Form of Dance Archive
Oral archives are important components of dance archives but are not frequently discussed. In this context I am looking at the George Balanchine Foundation's Interpreters Archive and Anne Teresa de Keersmaeker's and Bojana Cvejić’s publication entitled The Choreographer's Score, the latter as basis for a possible archive. The oral descriptions provided in those projects transmit a form of knowledge about dance and choreographic practice that cann…
Documenting Choreographic Process
This is a book review about volumes of choreographic scores accompanied by DVDs that engage with Anne Teresa de Keersmaeker's early and late work
Structure as Process
Choreographer Anne Teresa de Keersmaeker and composer Steve Reich are intrigued by similar principles of composition in which structures become processes during performance. Both use repetition of motives, while subtly shifting their interlinking as well as the relationship among performers, requiring a concentration on the here and now wherein time and space seem to conflate for both performers and audiences. In this article I suggest the releva…
Structure as Process
Choreographer Anne Teresa de Keersmaeker and composer Steve Reich are intrigued by similar principles of composition in which structures become processes during performance. Both use repetition of motives, while subtly shifting their interlinking as well as the relationship among performers, requiring a concentration on the here and now wherein time and space seem to conflate for both performers and audiences. In this article I suggest the releva…
Documenting Choreographic Process
This is a book review about volumes of choreographic scores accompanied by DVDs that engage with Anne Teresa de Keersmaeker's early and late work
Structure as Process
Choreographer Anne Teresa de Keersmaeker and composer Steve Reich are intrigued by similar principles of composition in which structures become processes during performance. Both use repetition of motives, while subtly shifting their interlinking as well as the relationship among performers, requiring a concentration on the here and now wherein time and space seem to conflate for both performers and audiences. In this article I suggest the releva…
The Oral Archive as a Form of Dance Archive
Oral archives are important components of dance archives but are not frequently discussed. In this context I am looking at the George Balanchine Foundation's Interpreters Archive and Anne Teresa de Keersmaeker's and Bojana Cvejić’s publication entitled The Choreographer's Score, the latter as basis for a possible archive. The oral descriptions provided in those projects transmit a form of knowledge about dance and choreographic practice that cann…
Beth Genné, Dance Me a Song
Art (4 works) · Visual arts (4 works) · Art history (3 works) · Dance (3 works) · Diversity and Impact of Dance (3 works) · Musicology and Musical Analysis (2 works) · Performance art (2 works) · Theater, Performance, and Music History (2 works) · Aesthetics (1 work) · Archaeology (1 work)