Jonas Rutgeerts
Biographic Data
| ID | 6185353 |
|---|---|
| NAME | Jonas Rutgeerts |
| GIVEN NAMES | Jonas |
| FAMILY NAME | Rutgeerts |
| SIGNATURE | RUTGEERTS J |
| AFFILIATIONS | Twitter (United States) |
| ORCID | 0000-0002-6170-0735 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
From a Time without a Notion”
In Jezebel (2019) and Dark matter (2022), Dutch choreographer Cherish Menzo activates alternative temporal modes to perform the black body. Inspired by the chopped and screwed hip hop technique that manipulates tempo and pitch in existing songs, she disrupts conventional notions of time as a linear progression. Instead, she unfolds an “Epiphenomenal” temporal framework in which the present no longer appears as a continuation of the past or an ant…
‘I Have the Need to Never Arrive’
The pandemic period coincided with significant sociopolitical upheavals, such as the Black Lives Matter protests and a profound reckoning with colonial histories worldwide. As the lockdowns ended, a new war would switch on the global military machine and, at the time of writing, yet another genocidal conflict has underscored the need to redefine political alliances beyond identity – a warning already articulated by Hannah Arendt over fifty years …
My Walking is My Dancing”
Throughout her career the Belgian choreographer Anne Teresa De Keersmaeker has created different techniques to engage in an intimate relationship with musical compositions, using these compositions to drive the development of her choreographic oeuvre. I argue that walking can be defined as one of the main choreographic devices used in De Keersmaeker’s late works. In analyzing En Atendant (2010) and Cesena (2011), I explore how De Keersmaeker uses…
‘To all my friends, known and unknown, close and distant’
status: Published
Dark Utopia
status: Published
No prominent works on this page.
Dark Utopia
status: Published
‘To all my friends, known and unknown, close and distant’
status: Published
My Walking is My Dancing”
Throughout her career the Belgian choreographer Anne Teresa De Keersmaeker has created different techniques to engage in an intimate relationship with musical compositions, using these compositions to drive the development of her choreographic oeuvre. I argue that walking can be defined as one of the main choreographic devices used in De Keersmaeker’s late works. In analyzing En Atendant (2010) and Cesena (2011), I explore how De Keersmaeker uses…
‘I Have the Need to Never Arrive’
The pandemic period coincided with significant sociopolitical upheavals, such as the Black Lives Matter protests and a profound reckoning with colonial histories worldwide. As the lockdowns ended, a new war would switch on the global military machine and, at the time of writing, yet another genocidal conflict has underscored the need to redefine political alliances beyond identity – a warning already articulated by Hannah Arendt over fifty years …
From a Time without a Notion”
In Jezebel (2019) and Dark matter (2022), Dutch choreographer Cherish Menzo activates alternative temporal modes to perform the black body. Inspired by the chopped and screwed hip hop technique that manipulates tempo and pitch in existing songs, she disrupts conventional notions of time as a linear progression. Instead, she unfolds an “Epiphenomenal” temporal framework in which the present no longer appears as a continuation of the past or an ant…
Aesthetics (4 works) · Art (4 works) · Sociology (3 works) · Visual arts (3 works) · Art history (2 works) · Computer Science (2 works) · Dance (2 works) · Philosophy (2 works) · Theatre and Performance Studies (2 works) · Alterity (1 work)