Elisabeth Motley
Biographic Data
| ID | 6185361 |
|---|---|
| NAME | Elisabeth Motley |
| GIVEN NAMES | Elisabeth |
| FAMILY NAME | Motley |
| SIGNATURE | MOTLEY E |
| AFFILIATIONS | Associate Professor of Dance, Marymount Manhattan College, New York City |
| ORCID | 0009-0003-2238-3188 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Katy Dymoke, Inclusive Dance
Care Ethics and Aesthetics in Post-Rehabilitation Disability Performance
Recent books on disability performance offer an opportunity to explore past and present disability performance labor, which has the potential to rupture the ableisms and hegemonies of conventional theatre
From Representation to Redistribution
Border Crossings: Exile and American Modern Dance, 1900-1955 is an ambitious and important effort to show how “war, inequality, and injustice” impacted “modern dance” in the United States. Using a
Crip Aesthetics and a Choreographic Method of Leakiness
Drawing attention to the affordances and challenges of disability dance and choreography, most notably aesthetic ideals which are antithetical to disability knowing, this research seeks to instigate a discussion on how we might radically envisage disability dance through a crip aesthetics. Theorizing my crip choreographic work Colored Shadow, I offer a method of leakiness as a tool to rupture hegemonic aesthetics of dance, which include compulsor…
No prominent works on this page.
From Representation to Redistribution
Border Crossings: Exile and American Modern Dance, 1900-1955 is an ambitious and important effort to show how “war, inequality, and injustice” impacted “modern dance” in the United States. Using a
Crip Aesthetics and a Choreographic Method of Leakiness
Drawing attention to the affordances and challenges of disability dance and choreography, most notably aesthetic ideals which are antithetical to disability knowing, this research seeks to instigate a discussion on how we might radically envisage disability dance through a crip aesthetics. Theorizing my crip choreographic work Colored Shadow, I offer a method of leakiness as a tool to rupture hegemonic aesthetics of dance, which include compulsor…
Katy Dymoke, Inclusive Dance
Care Ethics and Aesthetics in Post-Rehabilitation Disability Performance
Recent books on disability performance offer an opportunity to explore past and present disability performance labor, which has the potential to rupture the ableisms and hegemonies of conventional theatre
Art (4 works) · Dance (3 works) · Diversity and Impact of Dance (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Art history (2 works) · Psychology (2 works) · Affordance (1 work) · Archaeology (1 work)