María Mendizábal
Biographic Data
| ID | 6185406 |
|---|---|
| NAME | María Mendizábal |
| GIVEN NAMES | María |
| FAMILY NAME | Mendizábal |
| SIGNATURE | MENDIZÁBAL M |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Forced Secularization and Postmodern Discourses within Contemporary Performance
In the context of the multicultural and postmodern rhetoric of contemporary art festivals, we examine a case study in which the Hungarian choreographer Eszter Salamon appropriates Mapuche practices—the kawell tayil and the choike purrún—in her piece Monument 0.6: Landing (A Ritual of Empathy) (2017). We analyze the discursive and embodied dimensions of this borrowing and its harmful consequences for indigenous communities. We show how the postmod…
No prominent works on this page.
Forced Secularization and Postmodern Discourses within Contemporary Performance
In the context of the multicultural and postmodern rhetoric of contemporary art festivals, we examine a case study in which the Hungarian choreographer Eszter Salamon appropriates Mapuche practices—the kawell tayil and the choike purrún—in her piece Monument 0.6: Landing (A Ritual of Empathy) (2017). We analyze the discursive and embodied dimensions of this borrowing and its harmful consequences for indigenous communities. We show how the postmod…
Aesthetics (1 work) · Art (1 work) · Art Education and Development (1 work) · Context (archaeology) (1 work) · Dance (1 work) · Educator Training and Historical Pedagogy (1 work) · History (1 work) · Indigenous (1 work) · Law (1 work) · Literature (1 work)