Sandra Noll Hammond
Biographic Data
| ID | 6185427 |
|---|---|
| NAME | Sandra Noll Hammond |
| GIVEN NAMES | Sandra Noll |
| FAMILY NAME | Hammond |
| SIGNATURE | HAMMOND S N |
| AFFILIATIONS | University of Hawaii System |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 11 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 2 |
In Memoriam
Angene Feves, an internationally recognized authority on the dances of European courts and theaters of the sixteenth through the eighteenth centuries, died at her home in Pleasant Hill, California on February 25, after a series of strokes.She would have been seventy-seven on May 8, 2014.As a dance historian, Angene was a triple delight: a skilled and charismatic performer, an insightful, inspiring teacher and director, and a rigorous scholar.She …
Ballet Adieu
The French Style and the Period
Bournonville Festival 1992
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
A nineteenth‐century dancing master at the court of Württemberg
The importance of dance in courtly societies in the fifteenth through the eighteenth centuries is well documented by dance historians who have chronicled the duties of dancing masters employed by royal and aristocratic families of Europe.' What may not be so well known is that this tradition continued into the nineteenth century, with responsibilities of a court dancing master continuing to include teaching dance technique, style, and repertoire;…
Society of Dance History Scholars Conference
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Technique and Autonomy in the Development of Art
Comparison is the basis of theory. To know a thing is to know what it is not, and to theorize is therefore to compare a thing with many other things, including the thing itself at earlier stages, if the theorizing is about how the thing develops. The more “abstract” the theory, the greater is the range of things that can be compared—the more phenomena, in other words, the theory embraces. The above paragraph is our way of warning the reader that,…
Searching for the Sylph
The development of pointe technique rightly can be viewed as a “technical revolution” in the history of ballet, but its origins and early manifestations are among the intriguing mysteries of this ephemeral art. The discussion that follows will explore those mysteries by examining sources heretofore largely ignored: the technical treatises about dancing written by ballet masters of the late-eighteenth through the early nineteenth centuries. These …
Clues to Ballet's Technical History from the Early Nineteenth-Century Ballet Lesson
surviving theatrical dances from that turn-of-the-century period. Unfortunately, we cannot re-create the works of Filippo Taglioni, Armand Vestris, Salvatore Vigano and others choreographing during that stimulating era. Only one dance of the time, the Gavotte de Vestris, has been preserved in notation, by means of two systems developed and published in London in 1831 by E. A. Theleur in his book, Letters on Dancing. Analysis of this lively duet c…
The Internal Logic of Dance
Phillip E. Hammond, Sandra N. Hammond; The Internal Logic of Dance: A Weberian Perspective on the History of Ballet, Journal of Social History, Volume 12
Searching for the Sylph
The development of pointe technique rightly can be viewed as a “technical revolution” in the history of ballet, but its origins and early manifestations are among the intriguing mysteries of this ephemeral art. The discussion that follows will explore those mysteries by examining sources heretofore largely ignored: the technical treatises about dancing written by ballet masters of the late-eighteenth through the early nineteenth centuries. These …
The Internal Logic of Dance
Phillip E. Hammond, Sandra N. Hammond; The Internal Logic of Dance: A Weberian Perspective on the History of Ballet, Journal of Social History, Volume 12
A nineteenth‐century dancing master at the court of Württemberg
The importance of dance in courtly societies in the fifteenth through the eighteenth centuries is well documented by dance historians who have chronicled the duties of dancing masters employed by royal and aristocratic families of Europe.' What may not be so well known is that this tradition continued into the nineteenth century, with responsibilities of a court dancing master continuing to include teaching dance technique, style, and repertoire;…
Technique and Autonomy in the Development of Art
Comparison is the basis of theory. To know a thing is to know what it is not, and to theorize is therefore to compare a thing with many other things, including the thing itself at earlier stages, if the theorizing is about how the thing develops. The more “abstract” the theory, the greater is the range of things that can be compared—the more phenomena, in other words, the theory embraces. The above paragraph is our way of warning the reader that,…
The Internal Logic of Dance
Phillip E. Hammond, Sandra N. Hammond; The Internal Logic of Dance: A Weberian Perspective on the History of Ballet, Journal of Social History, Volume 12
Clues to Ballet's Technical History from the Early Nineteenth-Century Ballet Lesson
surviving theatrical dances from that turn-of-the-century period. Unfortunately, we cannot re-create the works of Filippo Taglioni, Armand Vestris, Salvatore Vigano and others choreographing during that stimulating era. Only one dance of the time, the Gavotte de Vestris, has been preserved in notation, by means of two systems developed and published in London in 1831 by E. A. Theleur in his book, Letters on Dancing. Analysis of this lively duet c…
Searching for the Sylph
The development of pointe technique rightly can be viewed as a “technical revolution” in the history of ballet, but its origins and early manifestations are among the intriguing mysteries of this ephemeral art. The discussion that follows will explore those mysteries by examining sources heretofore largely ignored: the technical treatises about dancing written by ballet masters of the late-eighteenth through the early nineteenth centuries. These …
Society of Dance History Scholars Conference
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Technique and Autonomy in the Development of Art
Comparison is the basis of theory. To know a thing is to know what it is not, and to theorize is therefore to compare a thing with many other things, including the thing itself at earlier stages, if the theorizing is about how the thing develops. The more “abstract” the theory, the greater is the range of things that can be compared—the more phenomena, in other words, the theory embraces. The above paragraph is our way of warning the reader that,…
Bournonville Festival 1992
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
A nineteenth‐century dancing master at the court of Württemberg
The importance of dance in courtly societies in the fifteenth through the eighteenth centuries is well documented by dance historians who have chronicled the duties of dancing masters employed by royal and aristocratic families of Europe.' What may not be so well known is that this tradition continued into the nineteenth century, with responsibilities of a court dancing master continuing to include teaching dance technique, style, and repertoire;…
The French Style and the Period
Ballet Adieu
In Memoriam
Angene Feves, an internationally recognized authority on the dances of European courts and theaters of the sixteenth through the eighteenth centuries, died at her home in Pleasant Hill, California on February 25, after a series of strokes.She would have been seventy-seven on May 8, 2014.As a dance historian, Angene was a triple delight: a skilled and charismatic performer, an insightful, inspiring teacher and director, and a rigorous scholar.She …
Art (10 works) · Dance (8 works) · Ballet (6 works) · Diversity and Impact of Dance (6 works) · Visual arts (6 works) · Art history (5 works) · Computer Science (4 works) · Literature (4 works) · Historical Studies and Socio-cultural Analysis (3 works) · History (3 works)