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K Meira Goldberg

Biographic Data

ID6185491
NAMEK Meira Goldberg
GIVEN NAMESK Meira
FAMILY NAMEGoldberg
SIGNATUREGOLDBERG K M
AFFILIATIONSUniversity of California, Riverside
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS3
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Paco de Lucía and the Americas

    Open Access•K Meira Goldberg, Antoni Pizá•ARTICLE•Diagonal An Ibero-American Music…•2026

  • Singing of and with the Other

    Open Access•K Meira Goldberg•ARTICLE•postmedieval a journal of…•2023•References: 2

  • Good Shepherd, Bumpkin Shepherd

    K Meira Goldberg•CHAPTER•Sonidos Negros•2019

    In Christmas pageants staged throughout the Spanish Empire, the pastor bobo (foolish shepherd) asked rude and impertinent questions, making Christian doctrine comprehensible to the humblest audiences. The bobo’s comic confusion— Will he or won’t he see the light of Christ? —was danced with obscene gambols and cacophonous footwork, manifesting the perilous invisible stain of impure blood. Yet these sharp-tongued dramatizations of redemption simult…

  • Sonidos Negros

    K Meira Goldberg•BOOK•Sonidos Negros•2018

  • Sonidos Negros

    K Meira Goldberg•ARTICLE•Dance Chronicle•2014•Cited by: 3

    How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; …

  • Sonidos Negros

    K Meira Goldberg•ARTICLE•Dance Chronicle•2014•Cited by: 3

    How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; …

  • Sonidos Negros

    K Meira Goldberg•ARTICLE•Dance Chronicle•2014•Cited by: 3

    How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; …

  • Sonidos Negros

    K Meira Goldberg•BOOK•Sonidos Negros•2018

  • Good Shepherd, Bumpkin Shepherd

    K Meira Goldberg•CHAPTER•Sonidos Negros•2019

    In Christmas pageants staged throughout the Spanish Empire, the pastor bobo (foolish shepherd) asked rude and impertinent questions, making Christian doctrine comprehensible to the humblest audiences. The bobo’s comic confusion— Will he or won’t he see the light of Christ? —was danced with obscene gambols and cacophonous footwork, manifesting the perilous invisible stain of impure blood. Yet these sharp-tongued dramatizations of redemption simult…

  • Singing of and with the Other

    Open Access•K Meira Goldberg•ARTICLE•postmedieval a journal of…•2023•References: 2

  • Paco de Lucía and the Americas

    Open Access•K Meira Goldberg, Antoni Pizá•ARTICLE•Diagonal An Ibero-American Music…•2026

Art (4 works) · History (4 works) · Literature (4 works) · Spanish Literature and Culture Studies (4 works) · Art history (3 works) · Philosophy (3 works) · Comics (2 works) · Cuban History and Society (2 works) · Theater, Performance, and Music History (2 works) · White (mutation) (2 works)

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