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Jane Pritchard

Biographic Data

ID6185568
NAMEJane Pritchard
GIVEN NAMESJane
FAMILY NAMEPritchard
SIGNATUREPRITCHARD J
AFFILIATIONSCurator of Dance
ORCID0000-0002-9527-4404
VERIFIEDYes
TOTAL WORKS21
TOTAL CITATIONS0
WORKS AS AUTHOR21
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Archives of the Dance (30)

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2025

    This is the first of a two-part article looking at the dance holdings in the Victoria and Albert Museum (V&A). The V&A is Britain’s leading repository for theatre collections, of which dance is a significant element. The second part will focus specifically on the V&A’s world-renowned Ballets Russes material which is the most heavily used part of the dance collection. This article both adds information on the history of the collections and discuss…

  • Archives of the Dance (31)

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2025

    This is the second of a two-part article looking at the dance holdings in the Victoria and Albert Museum (V&A). While the first part was a general survey, this part focuses upon the important holdings on various companies described under the loose category of ‘Ballets Russes’ or ‘Ballet Russe’. Material on Diaghilev’s Ballets Russes1911–1929 is particularly strong but there are also rich collections on the Colonel de Basil and René Blum/Denham co…

  • Archives of the Dance (29)

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2024

    This article in the Archives of the Dance series looks at the contents of the Richard Alston Dance Company (RADC) Archive and collection THM/627 that documents the company’s activities from its foundation in 1994 to its closure in 2020. It is now housed within the Theatre and Performance Collections at the Victoria and Albert Museum, London, where it will become accessible from 2025 at the museum’s new research centre, V&A East Storehouse. It cov…

  • Gerald Dowler, The Golden Age

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2022

  • Serge Diaghilev's Ballets Russes – An Itinerary. Part II (1922–9)

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2009

  • Serge Diaghilev's Ballets Russes – An Itinerary. Part 1

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2009

  • 'More Natural than Nature, More Artificial than Art'

    Jane Pritchard•ARTICLE•Dance Research•2003

  • ‘More Natural Than Nature, More Artificial Than Art’

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2003

  • Brief Notices

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2001

  • Theatrical Costume, Masks, Make-Up and Wigs

    Jane Pritchard, Sidney Jowers et al.•ARTICLE•Dance Research•2001

    This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide f…

  • White Man Sleeps Siobhan Davies Dance Company

    Jane Pritchard, Sanjoy Roy•ARTICLE•Dance Research•2001

  • Collaborative Creations for the Alhambra and the Empire

    Jane Pritchard•ARTICLE•Dance Chronicle•2001

  • Archives of the Dance (18)

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2000

  • Archives of the Dance

    Jane Pritchard•ARTICLE•Dance Research•2000

  • The Bournonville Tradition

    Jane Pritchard, Knud Arne Jürgensen•ARTICLE•Dance Research•1999

  • Dearest Wally and Stradivarius… Yours Ever M , the Correspondence Between Walter Gore and Marie Rambert

    Open Access•Jane Pritchard•ARTICLE•Dance Research•1998

    Ten years ago, in Dance Research VI.1 (Spring 1988), I outlined the holdings of the Rambert Dance Company Archive. Inevitably the collection has developed since that time and recentl a series of significant donations and acquisitions have enriched the resources. The material on Andr&e Howard has expanded with both the acquisition of a collection previously deposited in the Benesh Institute including designs for The Sailor's Return, and a generous…

  • The Correspondence between Walter Gore and Marie Rambert

    Jane Pritchard, Walter Gore et al.•ARTICLE•Dance Research•1998

    Jane Pritchard, Walter Gore, Marie Rambert, The Correspondence between Walter Gore and Marie Rambert, Dance Research: The Journal of the Society for Dance Research, Vol. 16, No. 2 (Winter, 1998), pp. 3-28

  • [B] ‘The Empire’ in Manchester

    Open Access•Jane Pritchard•ARTICLE•Dance Research•1995

  • The Camargo Society Part I

    Open Access•Angela Kane, Jane Pritchard•ARTICLE•Dance Research•1994

    Research into the Camargo Society was prompted by a dichotomy discovered in various texts on British ballet. While the majority of authors acknowledge the importance of this organisation, only passing reference is made to its existence. Even the many autobiographical accounts available gloss over the significance of such an organisation to the development of 20th century British ballet and the more informative sources are also the mostfrustrating…

  • The choreography of Andree Howard

    Jane Pritchard•ARTICLE•Dance Chronicle•1992

  • Archives of The Dance (7) The Rambert Dance Company Archive

    Open Access•Jane Pritchard•ARTICLE•Dance Research•1988

No prominent works on this page.

  • Archives of The Dance (7) The Rambert Dance Company Archive

    Open Access•Jane Pritchard•ARTICLE•Dance Research•1988

  • The choreography of Andree Howard

    Jane Pritchard•ARTICLE•Dance Chronicle•1992

  • The Camargo Society Part I

    Open Access•Angela Kane, Jane Pritchard•ARTICLE•Dance Research•1994

    Research into the Camargo Society was prompted by a dichotomy discovered in various texts on British ballet. While the majority of authors acknowledge the importance of this organisation, only passing reference is made to its existence. Even the many autobiographical accounts available gloss over the significance of such an organisation to the development of 20th century British ballet and the more informative sources are also the mostfrustrating…

  • [B] ‘The Empire’ in Manchester

    Open Access•Jane Pritchard•ARTICLE•Dance Research•1995

  • Dearest Wally and Stradivarius… Yours Ever M , the Correspondence Between Walter Gore and Marie Rambert

    Open Access•Jane Pritchard•ARTICLE•Dance Research•1998

    Ten years ago, in Dance Research VI.1 (Spring 1988), I outlined the holdings of the Rambert Dance Company Archive. Inevitably the collection has developed since that time and recentl a series of significant donations and acquisitions have enriched the resources. The material on Andr&e Howard has expanded with both the acquisition of a collection previously deposited in the Benesh Institute including designs for The Sailor's Return, and a generous…

  • The Correspondence between Walter Gore and Marie Rambert

    Jane Pritchard, Walter Gore et al.•ARTICLE•Dance Research•1998

    Jane Pritchard, Walter Gore, Marie Rambert, The Correspondence between Walter Gore and Marie Rambert, Dance Research: The Journal of the Society for Dance Research, Vol. 16, No. 2 (Winter, 1998), pp. 3-28

  • The Bournonville Tradition

    Jane Pritchard, Knud Arne Jürgensen•ARTICLE•Dance Research•1999

  • Archives of the Dance (18)

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2000

  • Archives of the Dance

    Jane Pritchard•ARTICLE•Dance Research•2000

  • Brief Notices

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2001

  • Theatrical Costume, Masks, Make-Up and Wigs

    Jane Pritchard, Sidney Jowers et al.•ARTICLE•Dance Research•2001

    This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide f…

  • White Man Sleeps Siobhan Davies Dance Company

    Jane Pritchard, Sanjoy Roy•ARTICLE•Dance Research•2001

  • Collaborative Creations for the Alhambra and the Empire

    Jane Pritchard•ARTICLE•Dance Chronicle•2001

  • 'More Natural than Nature, More Artificial than Art'

    Jane Pritchard•ARTICLE•Dance Research•2003

  • ‘More Natural Than Nature, More Artificial Than Art’

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2003

  • Serge Diaghilev's Ballets Russes – An Itinerary. Part II (1922–9)

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2009

  • Serge Diaghilev's Ballets Russes – An Itinerary. Part 1

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2009

  • Gerald Dowler, The Golden Age

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2022

  • Archives of the Dance (29)

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2024

    This article in the Archives of the Dance series looks at the contents of the Richard Alston Dance Company (RADC) Archive and collection THM/627 that documents the company’s activities from its foundation in 1994 to its closure in 2020. It is now housed within the Theatre and Performance Collections at the Victoria and Albert Museum, London, where it will become accessible from 2025 at the museum’s new research centre, V&A East Storehouse. It cov…

  • Archives of the Dance (30)

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2025

    This is the first of a two-part article looking at the dance holdings in the Victoria and Albert Museum (V&A). The V&A is Britain’s leading repository for theatre collections, of which dance is a significant element. The second part will focus specifically on the V&A’s world-renowned Ballets Russes material which is the most heavily used part of the dance collection. This article both adds information on the history of the collections and discuss…

  • Archives of the Dance (31)

    Open Access•Jane Pritchard•ARTICLE•Dance Research•2025

    This is the second of a two-part article looking at the dance holdings in the Victoria and Albert Museum (V&A). While the first part was a general survey, this part focuses upon the important holdings on various companies described under the loose category of ‘Ballets Russes’ or ‘Ballet Russe’. Material on Diaghilev’s Ballets Russes1911–1929 is particularly strong but there are also rich collections on the Colonel de Basil and René Blum/Denham co…

Art (20 works) · Art history (19 works) · Visual arts (15 works) · Diversity and Impact of Dance (14 works) · Dance (13 works) · Musicology and Musical Analysis (12 works) · History (7 works) · Theater, Performance, and Music History (7 works) · Ballet (5 works) · Performance art (4 works)

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