Shelley C Berg
Biographic Data
| ID | 6185613 |
|---|---|
| NAME | Shelley C Berg |
| GIVEN NAMES | Shelley C |
| FAMILY NAME | Berg |
| SIGNATURE | BERG S C |
| AFFILIATIONS | Southern Methodist University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Lesley Main, Directing the Dance Legacy of Doris Humphrey
Limón's La Malinche
The artist; disciple, abundant, multiple, restless. The true artist, capable, practicing, skillful, Maintains dialogue with his heart, meets things with his mind. The true artist draws out all from his heart Náhuatl text quoted in Keen (1971, 23) Dancer and choreographer José Limón was an artist of epic proportions, both in terms of the scope of his creative energy and the depth of his passionate humanism. Many of his dances speak to his search f…
No Fixed Points
This DOI is not currently attached to any metadata records. DOIs can’t actually ever be deleted (they’re persistent), but sometimes our members create DOIs in error. We do have a process to approximate deletion which we follow only in rare cases where the DOI has been genuinely created in error, and most crucially, if the DOI has never been published anywhere online or in print and never otherwise distributed to or communicated with anyone (autho…
Limón's La Malinche
This DOI is not currently attached to any metadata records. DOIs can’t actually ever be deleted (they’re persistent), but sometimes our members create DOIs in error. We do have a process to approximate deletion which we follow only in rare cases where the DOI has been genuinely created in error, and most crucially, if the DOI has never been published anywhere online or in print and never otherwise distributed to or communicated with anyone (autho…
Saving a Legacy
The dance critic Clive Barnes observed that Agnes George de Mille was one of the ‘architects of American ballet’, and one of the nation’s ‘greatest native-born choreographers’. De Mille, dancer, choreographer, lecturer and writer, was in every way a trail-blazer. Her choreography for the Rodgers and Hammerstein musical Oklahoma! was a landmark in American musical theatre, and she was the first woman, and the first choreographer (or dance director…
Sada Yacco in London and Paris, 1900
(1995). Sada Yacco in London and Paris, 1900: Le Reve Realise. Dance Chronicle: Vol. 18, No. 3, pp. 343-404
Sada Yacco
(1993). Sada Yacco: The American tour, 1899–1900. Dance Chronicle: Vol. 16, No. 2, pp. 147-196
Sada Yacco in London and Paris, 1900
(1995). Sada Yacco in London and Paris, 1900: Le Reve Realise. Dance Chronicle: Vol. 18, No. 3, pp. 343-404
Sada Yacco
(1993). Sada Yacco: The American tour, 1899–1900. Dance Chronicle: Vol. 16, No. 2, pp. 147-196
Sada Yacco
(1993). Sada Yacco: The American tour, 1899–1900. Dance Chronicle: Vol. 16, No. 2, pp. 147-196
Sada Yacco in London and Paris, 1900
(1995). Sada Yacco in London and Paris, 1900: Le Reve Realise. Dance Chronicle: Vol. 18, No. 3, pp. 343-404
Saving a Legacy
The dance critic Clive Barnes observed that Agnes George de Mille was one of the ‘architects of American ballet’, and one of the nation’s ‘greatest native-born choreographers’. De Mille, dancer, choreographer, lecturer and writer, was in every way a trail-blazer. Her choreography for the Rodgers and Hammerstein musical Oklahoma! was a landmark in American musical theatre, and she was the first woman, and the first choreographer (or dance director…
Limón's La Malinche
The artist; disciple, abundant, multiple, restless. The true artist, capable, practicing, skillful, Maintains dialogue with his heart, meets things with his mind. The true artist draws out all from his heart Náhuatl text quoted in Keen (1971, 23) Dancer and choreographer José Limón was an artist of epic proportions, both in terms of the scope of his creative energy and the depth of his passionate humanism. Many of his dances speak to his search f…
No Fixed Points
This DOI is not currently attached to any metadata records. DOIs can’t actually ever be deleted (they’re persistent), but sometimes our members create DOIs in error. We do have a process to approximate deletion which we follow only in rare cases where the DOI has been genuinely created in error, and most crucially, if the DOI has never been published anywhere online or in print and never otherwise distributed to or communicated with anyone (autho…
Limón's La Malinche
This DOI is not currently attached to any metadata records. DOIs can’t actually ever be deleted (they’re persistent), but sometimes our members create DOIs in error. We do have a process to approximate deletion which we follow only in rare cases where the DOI has been genuinely created in error, and most crucially, if the DOI has never been published anywhere online or in print and never otherwise distributed to or communicated with anyone (autho…
Lesley Main, Directing the Dance Legacy of Doris Humphrey
Art (7 works) · Art history (6 works) · Dance (6 works) · Diversity and Impact of Dance (6 works) · Visual arts (5 works) · Literature (3 works) · Musicology and Musical Analysis (3 works) · Ballet (2 works) · Choreography (2 works) · History (2 works)