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Juliette T Crump

Biographic Data

ID6189961
NAMEJuliette T Crump
GIVEN NAMESJuliette T
FAMILY NAMECrump
SIGNATURECRUMP J T
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2006
H-INDEX1
  • One Who Hears Their Cries”

    Open Access•Juliette T Crump, Juliette Crump•ARTICLE•Dance Research Journal•2006•References: 1

    In the San Francisco Weekly in 2002, reviewer Bernice Yeung referred to butoh as a “bizarre and mysterious art.” Although it has become a leading postmodern and international art form in the last thirty years and is familiar to contemporary arts festival viewers around the globe, butoh is still referred to as bizarre, tortured, disturbing. As a butoh practitioner who has seen many butoh performances in Tokyo, the United States, Canada, and Sweden…

  • Qualitative Change in Performances of Two Generations of Korean Dancers

    Open Access•Christine J Loken-Kim, Christine Loken-Kim et al.•ARTICLE•Dance Research Journal•1993•Cited by: 1•References: 3

    In the twentieth century, dance performances in the Republic of Korea have undergone a number of changes in terms of settings, audiences, and performers. Since the 1970s dance activity has blossomed under the auspices of university dance and physical education departments; there has been a steady increase in the number of professors of dance and also in the number of students majoring in dance. With the regular academic calendar, a concert season…

  • Qualitative Change in Performances of Two Generations of Korean Dancers

    Open Access•Christine J Loken-Kim, Christine Loken-Kim et al.•ARTICLE•Dance Research Journal•1993•Cited by: 1•References: 3

    In the twentieth century, dance performances in the Republic of Korea have undergone a number of changes in terms of settings, audiences, and performers. Since the 1970s dance activity has blossomed under the auspices of university dance and physical education departments; there has been a steady increase in the number of professors of dance and also in the number of students majoring in dance. With the regular academic calendar, a concert season…

  • Qualitative Change in Performances of Two Generations of Korean Dancers

    Open Access•Christine J Loken-Kim, Christine Loken-Kim et al.•ARTICLE•Dance Research Journal•1993•Cited by: 1•References: 3

    In the twentieth century, dance performances in the Republic of Korea have undergone a number of changes in terms of settings, audiences, and performers. Since the 1970s dance activity has blossomed under the auspices of university dance and physical education departments; there has been a steady increase in the number of professors of dance and also in the number of students majoring in dance. With the regular academic calendar, a concert season…

  • One Who Hears Their Cries”

    Open Access•Juliette T Crump, Juliette Crump•ARTICLE•Dance Research Journal•2006•References: 1

    In the San Francisco Weekly in 2002, reviewer Bernice Yeung referred to butoh as a “bizarre and mysterious art.” Although it has become a leading postmodern and international art form in the last thirty years and is familiar to contemporary arts festival viewers around the globe, butoh is still referred to as bizarre, tortured, disturbing. As a butoh practitioner who has seen many butoh performances in Tokyo, the United States, Canada, and Sweden…

Art (2 works) · Asian Culture and Media Studies (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Appeal (1 work) · Art history (1 work) · Buddhism (1 work) · Chinese history and philosophy (1 work) · Compassion (1 work) · Concert dance (1 work)

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