Sherril Dodds
Biographic Data
| ID | 6189988 |
|---|---|
| NAME | Sherril Dodds |
| GIVEN NAMES | Sherril |
| FAMILY NAME | Dodds |
| SIGNATURE | DODDS S |
| AFFILIATIONS | Dance, Temple University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 3 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
The Oxford Handbook of Dance and Competition
The Oxford Handbook of Dance and Competition examines the complex interactions between dance and competition, and addresses six areas of investigation: how dancers invest in competition to ensure economic survival and social standing; how dancing bodies and movement aesthetics are re-choreographed in response to a competition format; the strategies that dancers use to negotiate the dominant rhetoric of competition; the values and criteria that un…
Oxford Handbook of Dance and Competition
Bodies of Sound
Bodies of Sound
The Choreographic Inter face
Although the face possesses potent social and symbolic meaning, the “dancing face” is rarely addressed in dance scholarship. In spite of its neglect, the face participates choreographically in the realization of aesthetic codes and embodied conventions that pertain to different dance styles and genres. I therefore turn to Gilles Deleuze and Felix Guattari's (1987) theory of “faciality” to understand the semiotic coding of the face in relation to …
Embodied Transformations in Neo-Burlesque Striptease
This article both argues for and contests the discourses of transformation that characterize the production and reception of neo-burlesque striptease. Through an experiential, ethnographic, and critical methodology, I reflect on how this genre engenders performances of transformation through the passage of dress to undress, at the performer–spectator exchange, and through shifting corporeal values, changing representations of female eroticism and…
Dancing across film, television and the digital screen
Dance on Screen
List of Illustrations Foreword B.Lockyer Preface to the Second Edition Preface to the First Edition Acknowledgements Dance on Screen: A Contextual Framework Images of Dance in the Screen Media Video Dance: Televisualizing the Dancing Body Postmodern Dance Strategies on Television Hybrid Sites and Fluid Bodies Appendix Notes Bibliography Index
Study of Dance Conference (University of Surrey, United Kingdom, 20-23 April 1995)
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Study of Dance Conference (University of Surrey, United Kingdom, 20-23 April 1995)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dance on Screen
List of Illustrations Foreword B.Lockyer Preface to the Second Edition Preface to the First Edition Acknowledgements Dance on Screen: A Contextual Framework Images of Dance in the Screen Media Video Dance: Televisualizing the Dancing Body Postmodern Dance Strategies on Television Hybrid Sites and Fluid Bodies Appendix Notes Bibliography Index
Dancing across film, television and the digital screen
Embodied Transformations in Neo-Burlesque Striptease
This article both argues for and contests the discourses of transformation that characterize the production and reception of neo-burlesque striptease. Through an experiential, ethnographic, and critical methodology, I reflect on how this genre engenders performances of transformation through the passage of dress to undress, at the performer–spectator exchange, and through shifting corporeal values, changing representations of female eroticism and…
The Choreographic Inter face
Although the face possesses potent social and symbolic meaning, the “dancing face” is rarely addressed in dance scholarship. In spite of its neglect, the face participates choreographically in the realization of aesthetic codes and embodied conventions that pertain to different dance styles and genres. I therefore turn to Gilles Deleuze and Felix Guattari's (1987) theory of “faciality” to understand the semiotic coding of the face in relation to …
Bodies of Sound
Bodies of Sound
Oxford Handbook of Dance and Competition
The Oxford Handbook of Dance and Competition
The Oxford Handbook of Dance and Competition examines the complex interactions between dance and competition, and addresses six areas of investigation: how dancers invest in competition to ensure economic survival and social standing; how dancing bodies and movement aesthetics are re-choreographed in response to a competition format; the strategies that dancers use to negotiate the dominant rhetoric of competition; the values and criteria that un…
Art (6 works) · Visual arts (5 works) · Dance (4 works) · Diversity and Impact of Dance (4 works) · Sociology (4 works) · Aesthetics (3 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · Dance (2 works) · Fashion and Cultural Textiles (2 works)