Sabine Huschka
Biographic Data
| ID | 6190046 |
|---|---|
| NAME | Sabine Huschka |
| GIVEN NAMES | Sabine |
| FAMILY NAME | Huschka |
| SIGNATURE | HUSCHKA S |
| ORCID | 0000-0001-9960-8494 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Aesthetic Scenarios of Energeia
Energy and Forces as Aesthetic Interventions
Margrét Sara Guðjónsdóttir's »Full Drop into the Body«
Energy and Forces As Aesthetic Interventions
Aesthetic Strategies of Trance-gression
Choreographic bodies are empowered by modes of expansion and transgression. Focusing on the energetic processes that lead to such empowerment, this article discusses the perceptual politics of trancelike scenes in the work of contemporary European choreographers and performers. As a body-mobilizing choreographic strategy of out-of-body and out-of-mind experiences, trance is closely linked to critical and utopian ideas, bodily transgressions, and …
Szenen der Entleerung und Transgression
Die Suche des Tanzes nach seiner Geschichte. Zum Umgang mit vergangenem Wissen
Media-Bodies
Since Ballet Frankfurt was reconstituted as the Forsythe Company in 2004, William Forsythe has increasingly explored formats of installation art practice. Works such as Human Writes (in collaboration with Kendall Thomas, 2005) and You made me a monster (2005) develop within an interactive and intermedial space and experiment with new ways to experience the production and perception of movement. “Performance installation” is the new term for this …
Backmatter
Szenisches Wissen im ballet en action. Der choreographierte Körper als Ensemble
Inhalt
Autorinnen und Autoren
Wissenskultur Tanz
Tanz als eigene Wissenskultur zu begreifen, ist nicht selbstverständlich. Doch steht außer Frage, dass dem Tanzen Wissensformen zukommen, die aus Praxeologien und Theoriebildungen hervorgehen. Aber bildet die Tanzkunst auch eine Wissenskultur? Worin bestünde sie und welche Erkenntnisziele und Erfahrungswerte sind am Werk? Vor diesem Fragehorizont greift der Sammelband in bestehende Diskussionen ein, um aus interdisziplinärer Perspektive das inter…
Media-Bodies
Since Ballet Frankfurt was reconstituted as the Forsythe Company in 2004, William Forsythe has increasingly explored formats of installation art practice. Works such as Human Writes (in collaboration with Kendall Thomas, 2005) and You made me a monster (2005) develop within an interactive and intermedial space and experiment with new ways to experience the production and perception of movement. “Performance installation” is the new term for this …
Backmatter
Szenisches Wissen im ballet en action. Der choreographierte Körper als Ensemble
Inhalt
Autorinnen und Autoren
Wissenskultur Tanz
Tanz als eigene Wissenskultur zu begreifen, ist nicht selbstverständlich. Doch steht außer Frage, dass dem Tanzen Wissensformen zukommen, die aus Praxeologien und Theoriebildungen hervorgehen. Aber bildet die Tanzkunst auch eine Wissenskultur? Worin bestünde sie und welche Erkenntnisziele und Erfahrungswerte sind am Werk? Vor diesem Fragehorizont greift der Sammelband in bestehende Diskussionen ein, um aus interdisziplinärer Perspektive das inter…
Media-Bodies
Since Ballet Frankfurt was reconstituted as the Forsythe Company in 2004, William Forsythe has increasingly explored formats of installation art practice. Works such as Human Writes (in collaboration with Kendall Thomas, 2005) and You made me a monster (2005) develop within an interactive and intermedial space and experiment with new ways to experience the production and perception of movement. “Performance installation” is the new term for this …
Szenen der Entleerung und Transgression
Die Suche des Tanzes nach seiner Geschichte. Zum Umgang mit vergangenem Wissen
Aesthetic Scenarios of Energeia
Energy and Forces as Aesthetic Interventions
Margrét Sara Guðjónsdóttir's »Full Drop into the Body«
Energy and Forces As Aesthetic Interventions
Aesthetic Strategies of Trance-gression
Choreographic bodies are empowered by modes of expansion and transgression. Focusing on the energetic processes that lead to such empowerment, this article discusses the perceptual politics of trancelike scenes in the work of contemporary European choreographers and performers. As a body-mobilizing choreographic strategy of out-of-body and out-of-mind experiences, trance is closely linked to critical and utopian ideas, bodily transgressions, and …
Art (9 works) · Diversity and Impact of Dance (7 works) · Arts, Culture, and Music Studies (6 works) · Political science (5 works) · Dance (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Humanities (3 works) · Psychology (3 works)