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Rebekah J Kowal

Biographic Data

ID6190055
NAMERebekah J Kowal
GIVEN NAMESRebekah J
FAMILY NAMEKowal
SIGNATUREKOWAL R J
AFFILIATIONSThe Department of Dance at the University of Iowa
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Conference Panel to Honor Mark Franko's Editorship of DRJ

    Open Access•Danielle Goldman, Rebekah J Kowal et al.•ARTICLE•Dance Research Journal•2018•References: 10

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Oxford Handbook of Dance and Politics

    Rebekah J Kowal, Gerald Siegmund et al.•EDITOR•BOOK•The Oxford Handbook of Dance and…•2017

    Assembling research from an international cohort of scholars dedicated to inquiry in the field, this volume investigates relationships between dance and politics, adding detail and dimension to existing research, illuminating epistemological and theoretical topographies, and forging new pathways for related inquiry. Opening up its critical terms in two directions, the project illuminates how dance achieves its politics and how notions of the poli…

  • Identity Politics and Political Will

    Nadine George-Graves, Rebekah J Kowal et al.•EDITOR•BOOK•The Oxford Handbook of Dance and…•2017

    The career of acclaimed tap dancer Jeni LeGon is remarkable not only for her style but also for the ways in which she navigated the racial politics of the 1930s Hollywood film industry. This chapter examines how identity politics affected LeGon’s movements on and off both stage and screen. Hollywood lacked the political will to commit to LeGon, but she countered with a black will to maintain control and subjectivity. As a light-complexioned Afric…

  • Indian Ballerinas Toe Up”

    Open Access•Rebekah J Kowal, Rebekah Kowal•ARTICLE•Dance Research Journal•2014•References: 10

    Ballet faced formidable obstacles in establishing itself as a “home-grown” transplant at mid-century. Scholars have emphasized choreographic efforts to cultivate a nationally identifiable style during the period, focusing primarily on the emergence of Balanchine and neo-classicism. Yet the role of dancers in the Americanization of ballet largely has not been probed. This article examines the part that Maria Tallchief, daughter of a “full-blooded”…

  • Staging the Greensboro Sit-Ins

    Rebekah J Kowal, Rebekah Kowal•ARTICLE•TDR/The Drama Review•2004

    Organizers situated and designed their demonstrations to maximize social and political effects. Staging the sit-ins at Woolworth's—an “all-American store”—made great theatre that attracted a national audience

No prominent works on this page.

  • Staging the Greensboro Sit-Ins

    Rebekah J Kowal, Rebekah Kowal•ARTICLE•TDR/The Drama Review•2004

    Organizers situated and designed their demonstrations to maximize social and political effects. Staging the sit-ins at Woolworth's—an “all-American store”—made great theatre that attracted a national audience

  • Indian Ballerinas Toe Up”

    Open Access•Rebekah J Kowal, Rebekah Kowal•ARTICLE•Dance Research Journal•2014•References: 10

    Ballet faced formidable obstacles in establishing itself as a “home-grown” transplant at mid-century. Scholars have emphasized choreographic efforts to cultivate a nationally identifiable style during the period, focusing primarily on the emergence of Balanchine and neo-classicism. Yet the role of dancers in the Americanization of ballet largely has not been probed. This article examines the part that Maria Tallchief, daughter of a “full-blooded”…

  • The Oxford Handbook of Dance and Politics

    Rebekah J Kowal, Gerald Siegmund et al.•EDITOR•BOOK•The Oxford Handbook of Dance and…•2017

    Assembling research from an international cohort of scholars dedicated to inquiry in the field, this volume investigates relationships between dance and politics, adding detail and dimension to existing research, illuminating epistemological and theoretical topographies, and forging new pathways for related inquiry. Opening up its critical terms in two directions, the project illuminates how dance achieves its politics and how notions of the poli…

  • Identity Politics and Political Will

    Nadine George-Graves, Rebekah J Kowal et al.•EDITOR•BOOK•The Oxford Handbook of Dance and…•2017

    The career of acclaimed tap dancer Jeni LeGon is remarkable not only for her style but also for the ways in which she navigated the racial politics of the 1930s Hollywood film industry. This chapter examines how identity politics affected LeGon’s movements on and off both stage and screen. Hollywood lacked the political will to commit to LeGon, but she countered with a black will to maintain control and subjectivity. As a light-complexioned Afric…

  • Conference Panel to Honor Mark Franko's Editorship of DRJ

    Open Access•Danielle Goldman, Rebekah J Kowal et al.•ARTICLE•Dance Research Journal•2018•References: 10

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (3 works) · Diversity and Impact of Dance (3 works) · Art history (2 works) · Computer Science (2 works) · Gender Studies (2 works) · Sociology (2 works) · Theater, Performance, and Music History (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Americanization (1 work)

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