Susanne Foellmer
Biographic Data
| ID | 6190072 |
|---|---|
| NAME | Susanne Foellmer |
| GIVEN NAMES | Susanne |
| FAMILY NAME | Foellmer |
| SIGNATURE | FOELLMER S |
| AFFILIATIONS | Bielefeld University |
| ORCID | 0000-0002-1720-4144 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Monster und Metamorphosen
Seit gut zwanzig Jahren beschäftigen sich Experimente im zeitgenössischen Tanz mit dem Körper als dynamisches Material und den Möglichkeiten, repräsentativen Bildern zu entgehen. Dabei sind besonders Versuche prominent, gewohnte Formen durch Metamorphosen und tendenzielle Entgrenzungen von Körpern im Bühnenraum zu unterwandern. Sind jene Tanzstücke zu Beginn als die Wahrnehmung verunsichernd oder grotesk rezipiert worden, so haben sich unterdesse…
Choreography as a Medium of Protest
This article focuses on the idea of choreography as a possible medium of protest. Dealing with the media theory of Niklas Luhmann in the framework of social communication, and adopting Randy Martin's idea of an interrelation of (danced) movement and politics, the focus lies in the moments of migration of gestures from everyday life into art and then into the realm of politics. By analyzing the example of the Istanbul Duran Adam and the performanc…
Re-Cyclings
This essay examines changes in apparatuses of visual and performing arts, taking as an example a museum presentation of Trisha Brown's project Floor of the Forest . The ontology of both the work of art and the dance exhibited in the museum, where presence and absence interact, is explored against criteria of temporality and theatricality. The position of the recipient is a focus of particular attention, undergoing transformations between the stat…
Choreography as a Medium of Protest
This article focuses on the idea of choreography as a possible medium of protest. Dealing with the media theory of Niklas Luhmann in the framework of social communication, and adopting Randy Martin's idea of an interrelation of (danced) movement and politics, the focus lies in the moments of migration of gestures from everyday life into art and then into the realm of politics. By analyzing the example of the Istanbul Duran Adam and the performanc…
Re-Cyclings
This essay examines changes in apparatuses of visual and performing arts, taking as an example a museum presentation of Trisha Brown's project Floor of the Forest . The ontology of both the work of art and the dance exhibited in the museum, where presence and absence interact, is explored against criteria of temporality and theatricality. The position of the recipient is a focus of particular attention, undergoing transformations between the stat…
Choreography as a Medium of Protest
This article focuses on the idea of choreography as a possible medium of protest. Dealing with the media theory of Niklas Luhmann in the framework of social communication, and adopting Randy Martin's idea of an interrelation of (danced) movement and politics, the focus lies in the moments of migration of gestures from everyday life into art and then into the realm of politics. By analyzing the example of the Istanbul Duran Adam and the performanc…
Monster und Metamorphosen
Seit gut zwanzig Jahren beschäftigen sich Experimente im zeitgenössischen Tanz mit dem Körper als dynamisches Material und den Möglichkeiten, repräsentativen Bildern zu entgehen. Dabei sind besonders Versuche prominent, gewohnte Formen durch Metamorphosen und tendenzielle Entgrenzungen von Körpern im Bühnenraum zu unterwandern. Sind jene Tanzstücke zu Beginn als die Wahrnehmung verunsichernd oder grotesk rezipiert worden, so haben sich unterdesse…
Art (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Epistemology (2 works) · Focus (optics) (2 works) · Philosophy (2 works) · Visual arts (2 works) · Art, Politics, and Modernism (1 work)