Juliette Crump
Biographic Data
| ID | 6190184 |
|---|---|
| NAME | Juliette Crump |
| GIVEN NAMES | Juliette |
| FAMILY NAME | Crump |
| SIGNATURE | CRUMP J |
| AFFILIATIONS | University of Montana |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 1 |
One Who Hears Their Cries”
In the San Francisco Weekly in 2002, reviewer Bernice Yeung referred to butoh as a “bizarre and mysterious art.” Although it has become a leading postmodern and international art form in the last thirty years and is familiar to contemporary arts festival viewers around the globe, butoh is still referred to as bizarre, tortured, disturbing. As a butoh practitioner who has seen many butoh performances in Tokyo, the United States, Canada, and Sweden…
Congress on Research in Dance Annual Conference (Comfort Inn, Atlanta, Georgia, 2–5 August 1992)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Qualitative Change in Performances of Two Generations of Korean Dancers
In the twentieth century, dance performances in the Republic of Korea have undergone a number of changes in terms of settings, audiences, and performers. Since the 1970s dance activity has blossomed under the auspices of university dance and physical education departments; there has been a steady increase in the number of professors of dance and also in the number of students majoring in dance. With the regular academic calendar, a concert season…
Qualitative Change in Performances of Two Generations of Korean Dancers
In the twentieth century, dance performances in the Republic of Korea have undergone a number of changes in terms of settings, audiences, and performers. Since the 1970s dance activity has blossomed under the auspices of university dance and physical education departments; there has been a steady increase in the number of professors of dance and also in the number of students majoring in dance. With the regular academic calendar, a concert season…
Congress on Research in Dance Annual Conference (Comfort Inn, Atlanta, Georgia, 2–5 August 1992)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Qualitative Change in Performances of Two Generations of Korean Dancers
In the twentieth century, dance performances in the Republic of Korea have undergone a number of changes in terms of settings, audiences, and performers. Since the 1970s dance activity has blossomed under the auspices of university dance and physical education departments; there has been a steady increase in the number of professors of dance and also in the number of students majoring in dance. With the regular academic calendar, a concert season…
One Who Hears Their Cries”
In the San Francisco Weekly in 2002, reviewer Bernice Yeung referred to butoh as a “bizarre and mysterious art.” Although it has become a leading postmodern and international art form in the last thirty years and is familiar to contemporary arts festival viewers around the globe, butoh is still referred to as bizarre, tortured, disturbing. As a butoh practitioner who has seen many butoh performances in Tokyo, the United States, Canada, and Sweden…
Art (3 works) · Visual arts (3 works) · Asian Culture and Media Studies (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Political science (2 works) · Aesthetics (1 work) · Appeal (1 work) · Archaeology (1 work) · Art history (1 work)