Efrosini Protopapa
Biographic Data
| ID | 6190285 |
|---|---|
| NAME | Efrosini Protopapa |
| GIVEN NAMES | Efrosini |
| FAMILY NAME | Protopapa |
| SIGNATURE | PROTOPAPA E |
| AFFILIATIONS | University of Roehampton |
| ORCID | 0000-0002-3634-9955 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Rehearsing Exits
This article reflects on the creation of The Last Quartet, a dance work conceived by choreographer and performer Seke Chimutengwende, with collaborators Temitope Ajose-Cutting, Charlie Ashwell, Matthias Sperling, composer Jamie McCarthy and dramaturg Efrosini Protopapa. Beginning from the question of what it might mean to dance ‘at the end’, the text approaches ‘lastness’ as a premise that shapes the thinking, the working principles, and the felt…
The Spider and the Crab
This text has emerged from a dialogue between two generations of Practice-as-Research (PaR) scholars. Through it, we seek to identify and address some of the motivations with which individual artists might enter into academia, and the tensions that often arise from their misaligned relation to a university's values and processes. Rather than offering an(other) argument for the epistemological validity of the now-established field of PaR, we draw …
Meeting on Paper
A Choreographer's Score
In the past decade, a growing discourse has developed among choreographers, dance artists, and their collaborators, who are eager to articulate their processes, practices, and working methods through different types of writing and publication. Artists’ books, objects, and online platforms—from Thomas Lehmen's Schreibstück (2002) and FUNKTIONEN tool box (2004), to BADco's Whatever Dance Toolbox (2011) in collaboration with Daniel Turing, and the F…
A Choreographer's Score
In the past decade, a growing discourse has developed among choreographers, dance artists, and their collaborators, who are eager to articulate their processes, practices, and working methods through different types of writing and publication. Artists’ books, objects, and online platforms—from Thomas Lehmen's Schreibstück (2002) and FUNKTIONEN tool box (2004), to BADco's Whatever Dance Toolbox (2011) in collaboration with Daniel Turing, and the F…
A Choreographer's Score
In the past decade, a growing discourse has developed among choreographers, dance artists, and their collaborators, who are eager to articulate their processes, practices, and working methods through different types of writing and publication. Artists’ books, objects, and online platforms—from Thomas Lehmen's Schreibstück (2002) and FUNKTIONEN tool box (2004), to BADco's Whatever Dance Toolbox (2011) in collaboration with Daniel Turing, and the F…
Meeting on Paper
The Spider and the Crab
This text has emerged from a dialogue between two generations of Practice-as-Research (PaR) scholars. Through it, we seek to identify and address some of the motivations with which individual artists might enter into academia, and the tensions that often arise from their misaligned relation to a university's values and processes. Rather than offering an(other) argument for the epistemological validity of the now-established field of PaR, we draw …
Rehearsing Exits
This article reflects on the creation of The Last Quartet, a dance work conceived by choreographer and performer Seke Chimutengwende, with collaborators Temitope Ajose-Cutting, Charlie Ashwell, Matthias Sperling, composer Jamie McCarthy and dramaturg Efrosini Protopapa. Beginning from the question of what it might mean to dance ‘at the end’, the text approaches ‘lastness’ as a premise that shapes the thinking, the working principles, and the felt…
Art (3 works) · Computer Science (2 works) · Dance (2 works) · Sociology (2 works) · Theatre and Performance Studies (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Art history (1 work) · Artistic and Creative Research (1 work) · Ballet (1 work)