Ana Isabel Keilson
Biographic Data
| ID | 6190347 |
|---|---|
| NAME | Ana Isabel Keilson |
| GIVEN NAMES | Ana Isabel |
| FAMILY NAME | Keilson |
| SIGNATURE | KEILSON A I |
| AFFILIATIONS | Harvard University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
The Embodied Conservatism of Rudolf Laban, 1919–1926
This article examines Rudolf Laban's theory of dance as it developed in his written and stage works from 1919 to 1926. Specifically, it shows how Laban defined dance as a form of positive liberty, which provided the anchor of what I label as his “embodied conservatism,” a conceptual and practical orientation of movement toward the goal of reshaping society according to principles of harmony as universal law. Bridging the history of dance with the…
How Should We Know
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
A Review of “ Kate Elswit. Watching Weimar Dance. New York”
Kate Elswit. Watching Weimar Dance. New York: Oxford, 2014. 252 pp. ISBN: 978-0-19-984483-8What does it mean to watch a dance? As Kate Elswit shows in Watching Weimar Dance, it is a deceptively sim
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A Review of “ Kate Elswit. Watching Weimar Dance. New York”
Kate Elswit. Watching Weimar Dance. New York: Oxford, 2014. 252 pp. ISBN: 978-0-19-984483-8What does it mean to watch a dance? As Kate Elswit shows in Watching Weimar Dance, it is a deceptively sim
How Should We Know
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Embodied Conservatism of Rudolf Laban, 1919–1926
This article examines Rudolf Laban's theory of dance as it developed in his written and stage works from 1919 to 1926. Specifically, it shows how Laban defined dance as a form of positive liberty, which provided the anchor of what I label as his “embodied conservatism,” a conceptual and practical orientation of movement toward the goal of reshaping society according to principles of harmony as universal law. Bridging the history of dance with the…
Art (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Visual arts (2 works) · Weimar Republic (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Art history (1 work) · Arts, Culture, and Music Studies (1 work) · Bridging (networking) (1 work)