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Christopher Cwynar

Datos Biográficos

ID6211343
NOMBREChristopher Cwynar
NOMBRESChristopher
APELLIDOCwynar
FIRMACWYNAR C
AFILIACIONESDefiance College
VERIFICADONo
TOTAL DE OBRAS7
TOTAL DE CITAS4
TOTAL COMO AUTOR7
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2015
AÑO MÁS RECIENTE DE PUBLICACIÓN2024
ÍNDICE H1
  • Giving Voice or Creating a Spectacle?

    Christopher Cwynar•CHAPTER•Oxford Handbook of Radio and…•2024

    This chapter builds on existing work concerning literary journalistic and personal narrative podcasting to advance understanding of the use of intimacy in popular factual narrative nonfiction entertainment podcasts. It identifies two forms of intimate content in many first-person narrative nonfiction podcasts: revealing or vulnerable moments on the part of story subjects and personal reflections on the action from narrator-protagonists. The chapt…

  • Introduction to Public Radio and Music in the Streaming Era Symposium Music in the Public Service

    Open Access•Christopher Cwynar, Brian Fauteux•ARTICLE•Journal of Radio & Audio Media•2020

    The current moment is a productive time to examine the relationship between public media and music due to the massive changes that these sectors have experienced in recent decades. These changes of

  • Brick, Mortar, and Screen

    Christopher Cwynar•ARTICLE•Journal of Radio & Audio Media•2020

    This article details the various forces that shaped public radio station KEXP’s evolution from the 70s to today. It addresses the ways that Seattle’s specific cultural, economic, and technological advantages enabled it to take on its current form as a key presence in global pop music curation and discovery. It argues that the station’s progression thus represents a potential model for other legacy public radio stations in an era of diminishing pu…

  • Self-service media

    Christopher Cwynar•ARTICLE•Popular Communication•2019•Citada por: 2•Referencias: 4

    This paper analyzes the initial seasons of two reality podcasts, Gimlet Media’s StartUp and Stable Genius’ ZigZag in relation to neoliberalism and entrepreneurialism of the self. It demonstrates how these for-profit podcasts documenting the launching of private companies represent the culmination of longterm historical processes in the public media sector and U. S society more broadly. It argues that the leveraging of public radio expertise and c…

  • On thin ice

    Open Access•Christopher Cwynar•ARTICLE•International Communication Gazette•2017•Citada por: 1•Referencias: 2

    This article considers the implications of rising sports rights fees and emerging digital media technologies for legacy public service broadcasters. I argue that, while the Hockey Night in Canada sublicensing agreement with Rogers prompted a significant amount of criticism of the CBC at the time, it is consistent with the broader history of the program. Furthermore, the situation is most significant in that it exposes the tensions between the CBC…

  • NPR Music

    Open Access•Christopher Cwynar•ARTICLE•Media Culture & Society•2017•Referencias: 33

    This article considers National Public Radio’s (NPR) relationship with music and the web. I argue that the NPR Music project has successfully leveraged NPR’s perceived autonomy from commercial factors, sophisticated cultural sensibility, established audience, and unique network of member stations to become an important curator of music-based radio and music itself. Building on an emerging discussion of the politics of curation and publicity in th…

  • Unbuttoning NPR

    Christopher Cwynar•ARTICLE•Radio Journal International…•2015•Citada por: 1

    There have been few studies to date of the cultural work performed by NPR’s information radio programmes, and those that have been conducted have overlooked the role of musical interludes in those programmes. This article combines quantitative data analysis with textual and discourse analysis to elucidate the nature of the interludes and their function within the context of All Things Considered, NPR’s flagship afternoon newsmagazine programme. I…

  • Self-service media

    Christopher Cwynar•ARTICLE•Popular Communication•2019•Citada por: 2•Referencias: 4

    This paper analyzes the initial seasons of two reality podcasts, Gimlet Media’s StartUp and Stable Genius’ ZigZag in relation to neoliberalism and entrepreneurialism of the self. It demonstrates how these for-profit podcasts documenting the launching of private companies represent the culmination of longterm historical processes in the public media sector and U. S society more broadly. It argues that the leveraging of public radio expertise and c…

  • On thin ice

    Open Access•Christopher Cwynar•ARTICLE•International Communication Gazette•2017•Citada por: 1•Referencias: 2

    This article considers the implications of rising sports rights fees and emerging digital media technologies for legacy public service broadcasters. I argue that, while the Hockey Night in Canada sublicensing agreement with Rogers prompted a significant amount of criticism of the CBC at the time, it is consistent with the broader history of the program. Furthermore, the situation is most significant in that it exposes the tensions between the CBC…

  • Unbuttoning NPR

    Christopher Cwynar•ARTICLE•Radio Journal International…•2015•Citada por: 1

    There have been few studies to date of the cultural work performed by NPR’s information radio programmes, and those that have been conducted have overlooked the role of musical interludes in those programmes. This article combines quantitative data analysis with textual and discourse analysis to elucidate the nature of the interludes and their function within the context of All Things Considered, NPR’s flagship afternoon newsmagazine programme. I…

  • Unbuttoning NPR

    Christopher Cwynar•ARTICLE•Radio Journal International…•2015•Citada por: 1

    There have been few studies to date of the cultural work performed by NPR’s information radio programmes, and those that have been conducted have overlooked the role of musical interludes in those programmes. This article combines quantitative data analysis with textual and discourse analysis to elucidate the nature of the interludes and their function within the context of All Things Considered, NPR’s flagship afternoon newsmagazine programme. I…

  • On thin ice

    Open Access•Christopher Cwynar•ARTICLE•International Communication Gazette•2017•Citada por: 1•Referencias: 2

    This article considers the implications of rising sports rights fees and emerging digital media technologies for legacy public service broadcasters. I argue that, while the Hockey Night in Canada sublicensing agreement with Rogers prompted a significant amount of criticism of the CBC at the time, it is consistent with the broader history of the program. Furthermore, the situation is most significant in that it exposes the tensions between the CBC…

  • NPR Music

    Open Access•Christopher Cwynar•ARTICLE•Media Culture & Society•2017•Referencias: 33

    This article considers National Public Radio’s (NPR) relationship with music and the web. I argue that the NPR Music project has successfully leveraged NPR’s perceived autonomy from commercial factors, sophisticated cultural sensibility, established audience, and unique network of member stations to become an important curator of music-based radio and music itself. Building on an emerging discussion of the politics of curation and publicity in th…

  • Self-service media

    Christopher Cwynar•ARTICLE•Popular Communication•2019•Citada por: 2•Referencias: 4

    This paper analyzes the initial seasons of two reality podcasts, Gimlet Media’s StartUp and Stable Genius’ ZigZag in relation to neoliberalism and entrepreneurialism of the self. It demonstrates how these for-profit podcasts documenting the launching of private companies represent the culmination of longterm historical processes in the public media sector and U. S society more broadly. It argues that the leveraging of public radio expertise and c…

  • Introduction to Public Radio and Music in the Streaming Era Symposium Music in the Public Service

    Open Access•Christopher Cwynar, Brian Fauteux•ARTICLE•Journal of Radio & Audio Media•2020

    The current moment is a productive time to examine the relationship between public media and music due to the massive changes that these sectors have experienced in recent decades. These changes of

  • Brick, Mortar, and Screen

    Christopher Cwynar•ARTICLE•Journal of Radio & Audio Media•2020

    This article details the various forces that shaped public radio station KEXP’s evolution from the 70s to today. It addresses the ways that Seattle’s specific cultural, economic, and technological advantages enabled it to take on its current form as a key presence in global pop music curation and discovery. It argues that the station’s progression thus represents a potential model for other legacy public radio stations in an era of diminishing pu…

  • Giving Voice or Creating a Spectacle?

    Christopher Cwynar•CHAPTER•Oxford Handbook of Radio and…•2024

    This chapter builds on existing work concerning literary journalistic and personal narrative podcasting to advance understanding of the use of intimacy in popular factual narrative nonfiction entertainment podcasts. It identifies two forms of intimate content in many first-person narrative nonfiction podcasts: revealing or vulnerable moments on the part of story subjects and personal reflections on the action from narrator-protagonists. The chapt…

Political science (7 obras) · Media Studies and Communication (6 obras) · Radio, Podcasts, and Digital Media (6 obras) · Sociology (6 obras) · Media studies (5 obras) · Public relations (5 obras) · Advertising (4 obras) · Business (4 obras) · Law (4 obras) · Computer Science (3 obras)

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