Anne J Cruz

Biographic Data

ID621481
NAMEAnne J Cruz
GIVEN NAMESAnne J
FAMILY NAMECruz
SIGNATURECRUZ A J
AFFILIATIONSUniversity of Miami
ORCID0000-0001-6396-5027
VERIFIEDYes
TOTAL WORKS45
TOTAL CITATIONS42
AUTHOR COUNT43
EDITOR COUNT2
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2025
H-INDEX4

  • “Ioanna Ignacia Pinxit” – Uma Rara Assinatura de Joana do Salitre numa Pequena Colecção de Pintura

    Open AccessAnne J Cruz, Carolina Romão et al.ARTICLEARTis ON2025

    No decurso de uma intervenção de conservação e restauro, foi descoberta a assinatura de Joana do Salitre (1711-c.1781) numa pintura a óleo representando Santo Agostinho, feita a partir de uma gravura de Michel Dossier. A assinatura encontrava-se, no verso da pintura, escondida por uma tela de reentelagem, facto que colocou um desafio à intervenção uma vez que a obra necessitava de uma nova reentelagem. Dado que se sabe muito pouco sobre a artista…

  • Cultural Encounters

    Mary Elizabeth Perry, Anne J CruzBOOKCultural Encounters2024

  • On the Matter of Imitation

    Anne J CruzARTICLEBulletin of Spanish Studies2023

    This essay revisits and reassesses the first major renewal of Spain's lyric tradition led by Juan Boscán and Garcilaso de la Vega. While not pretending to discover or disclose new revelations, it regards anew the historiography of the reception by both these poets of Petrarchism, a cultural project that has by now entered the mythology of Spanish poetry. I reflect on earlier Spanish literary histories, rereading their texts alongside late twentie…

  • Sequential Thermal Analysis of Complex Organic Mixtures

    Open AccessUlrich M Hanke, Alan R Gagnon et al.ARTICLERadiocarbon2023Cited by: 2References: 29

    Sequential thermal analysis allows for deconvoluting the refractory nature and complexity of carbon mixtures embedded in mineral matrices for subsequent offline stable carbon and radiocarbon ( 14 C) isotope analyses. Originally developed to separate Holocene from more ancient sedimentary organic matter to improve dating of marine sediments, the Ramped Pyrolysis and Oxidation (RPO) apparatus, or informally, the “dirt burner” is now used to address…

  • Annunciation or Adoration? The workshop practice and the hesitations of a Portuguese mannerist painter revealed by infrared reflectography

    Open AccessHelena P Melo, Anne J Cruz et al.ARTICLEArchaeological and Anthropological…2023References: 6

  • Biblioteca Digital Ciarte

    Open AccessAnne J CruzARTICLEARTis ON2022

    A Biblioteca Digital Ciarte (http://biblioteca.ciarte.pt), recentemente criada, tem como objectivos, por um lado, dar acesso à antiga literatura técnico-artística em português através de volumes em formato pdf resultantes de restauro digital propositadamente realizado e, por outro lado, disponibilizar informação sobre estas fontes fundamentais quer para o conhecimento das ideias, das técnicas e dos materiais de que são feitas as obras de arte e o…

  • Domínguez, Freddy Cristóbal. Radicals in Exile

    Open AccessAnne J CruzARTICLERenaissance and Reformation2022

    Domínguez, Freddy Cristóbal. Radicals in Exile: English Catholic Books during the Reign of Philip II. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 45, Number 1, Winter 2022, pp. 7-278), on Érudit

  • The Matter from Which an Orange Colour Is Made

    Open AccessAnne J Cruz, Helena P Melo et al.ARTICLEHeritage2022References: 5

    The painting The Descent from the Cross, painted in 1620 by Pedro Nunes (1586–1637), presents two large figures with orange-coloured fabrics with conservation problems. Through the analysis of two samples with several analytical techniques, especially scanning electron microscopy combined with X-ray spectroscopy and Raman microscopy, it was possible to conclude that the orange colour is due to a complex artificial pigment made of amorphous arseni…

  • Economic Imperatives for Women's Writing in Early Modern Europe

    Open AccessAnne J CruzARTICLERenaissance Quarterly2021

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Chivalry, Reading, and Women’s Culture in Early Modern Spain

    Anne J CruzARTICLEEarly Modern Women An Interdiscipli…2020

  • The use of glass particles and its consequences in late 16th century oil painting

    Open AccessHelena P Melo, Anne J Cruz et al.ARTICLEJournal of Cultural Heritage2020Cited by: 1References: 16

  • 'Si no fuere tu hija ilustre'

    Open AccessAnne J CruzARTICLECuadernos de Historia Moderna2019

    The numbers of women writers of the early modern Spain currently identified have risen to over five hundred, with their writings catalogued and systematized by the Spanish data base Biblioteca de Escritoras Españolas (BIESES). The data base’s findings demonstrate the kinds of genres women writers selected, and includes archival documents, correspondence, and other kinds of documentation that reveal much more biographical information than previous…

  • Beyond Spain’s Borders

    Anne J Cruz, Maria Cristina Quintero et al.ARTICLERenaissance and Reformation2018

    Cruz, Anne J., and María Cristina Quintero. Beyond Spain’s Borders: Women Players in Early Modern National Theaters. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 41, Number 1, Winter 2018, pp. 5-245), on Érudit

  • Breaking into Tears

    Anne J CruzARTICLEModern Language Notes2017

    Breaking into Tears:Salicio's Refrain in Eclogue I Anne J. Cruz "The End is the Beginning of the End" —Smashing Pumpkins In Garcilaso's Eclogue I, the single refrain, "Salid sin duelo, lágrimas, corriendo," ends fully ten of the twelve stanzas that comprise Salicio's lament. That the estribillo, in its repetitive insistence, demands the shepherd's lachrymose response to his lover's rejection has long been considered its assigned function. After a…

  • O Contributo Da Conservação E Restauro Para O Conhecimento Da História De Um Objecto

    Open AccessAna Cristina Seco de Morais, Anne J Cruz et al.ARTICLERes Mobilis2016

    No âmbito da intervenção de conservação e restauro, foi feito o estudo material de um biombo, com recurso a métodos de exame e análise, que pretendeu esclarecer o seu estado de conservação, as alterações a que foi sujeito e a sua origem e data de execução. Constatou-se a existência de extensas e profundas modificações estéticas e iconográficas e o uso de técnicas e materiais que apontam para uma origem oriental, particularmente chinesa, em combin…

  • The Life and Writings of Luisa Carvajal y Mendoza

    Luisa Carvajal y Mendoza, Anne J Cruz et al.ARTICLERenaissance and Reformation2016

    Carvajal y Mendoza, Luisa. The Life and Writings of Luisa Carvajal y Mendoza. Ed. and trans. Anne J. Cruz. An article from journal Renaissance and Reformation / Renaissance et Réforme (Sex Acts in the Early Modern World), on Érudit

  • Garcilaso/Góngora

    Anne J Cruz, Maria Cristina QuinteroARTICLEBulletin of Spanish Studies2016

    Separated by more than half a century, Garcilaso de la Vega and Luis de Góngora chose the lyric genre to interrogate systems of power and the political and cultural changes that occurred from the early sixteenth century to the beginnings of the seventeenth century. Garcilaso's ‘new’ poetry and his conflictive engagement with the emerging Spanish empire made manifest the tensions between the epic's externalized political function and the lyrical e…

  • Early Modern Habsburg Women

    Anne J Cruz, Maria Galli Stampino et al.ARTICLERenaissance and Reformation2015

    Cruz, Anne J. and Maria Galli Stampino, eds. Early Modern Habsburg Women: Transnational Contexts, Cultural Conflicts, Dynastic Continuities. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 38, Number 1, Winter 2015, pp. 5-213), on Érudit

  • Problems of Analysis by FTIR of Calcium Sulphate–Based Preparatory Layers

    Open AccessHelena P Melo, Anne J Cruz et al.ARTICLEArchaeometry2014Cited by: 4References: 14

    This paper provides a contribution to FTIR analysis of calcium sulphate‐based grounds of paintings when a mixture of compounds with different degrees of hydration is present. The study is based on the analysis with that technique, electron microscopy coupled with energy‐dispersive X ‐ray spectrometry and X ‐ray diffraction of both the grounds of 16th‐century P ortuguese paintings and reference samples prepared with anhydrite and calcium sulphate …

  • Isabel Clara Eugenia

    Open AccessAnne J CruzARTICLERenaissance Quarterly2013

    Cordula van Wyhe, ed. Isabel Clara Eugenia: Female Sovereignty in the Courts of Madrid and Brussels. Madrid: Centro de Estudios Europa Hispánica; London: Paul Holberton Publishing, 2011. 448 pp. $80. ISBN: 978–1–907372–22–3. - Volume 66 Issue 1

  • Teresa Guerra, poeta entre el Barroco y la Ilustración

    Open AccessAnne J CruzARTICLEBulletin Hispanique2011

    Le recueil de poésie de la poète andalouse Teresa Guerra publié à Madrid en 1725 et approuvé par le censeur de l’époque, le polygraphe Diego Torres Villaroel, apporte la preuve de l’activité littéraire des femmes dans les premières décennies du dix-huitième siècle. Ses poèmes révèlent une sensibilité libérée de l’idéologie coercitive du Baroque, et annoncent à la fois les nouvelles tendances intellectuelles et sociales du Siècle des Lumières

  • Chimalpahin's Conquest

    Open AccessSusan Schroeder, Anne J Cruz et al.BOOKChimalpahin's Conquest2010

  • Studies on Women's Poetry of the Golden Age

    Rosa Navarro Duran, Adrienne L Martín et al.BOOKStudies on Women's Poetry of the…2009

  • Education and Women in the Early Modern Hispanic World

    Open AccessAnne J CruzARTICLERenaissance Quarterly2009

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Subtle Subversions

    Open AccessAnne J CruzARTICLERenaissance Quarterly2009

    Gwyn Fox. Subtle Subversions: Reading Golden Age Sonnets by Iberian Women. Washington, DC: The Catholic University of America Press, 2008. ix+ 310 pp. index. bibl. $79.95. ISBN: 978–0–8132–1528–0. - Volume 62 Issue 2