Emily Godbey
Biographic Data
| ID | 6218873 |
|---|---|
| NAME | Emily Godbey |
| GIVEN NAMES | Emily |
| FAMILY NAME | Godbey |
| SIGNATURE | GODBEY E |
| AFFILIATIONS | Schlumberger (Ireland) |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Terrible Fascination’
This article proposes a relationship between the subject matter of the dead and the vehicle of stereography in American Civil War photography. In addition, it suggests a set of parallel oppositions between repulsion as compared with attraction and between Barthes's ‘reality effect’ and a known illusion created by mechanical means. Civil War photographs commanded attention but repulsed with their horrific subject matter. Although stereography gave…
The New World Seen as the Old
As the first European printed image of the Aztec capital, the first European map of the Gulf of Mexico, and the first map to use the names Florida and Yucatan, the 1524 map of Tenochtitlan from Cortes’ second and third letter earned a place in the history of cartography (Figure I). This map, published in Nuremberg to accompany the Latin edition, is commonly mentioned in histories of cartography, but scholarship about this map is relatively genera…
The New World Seen as the Old
As the first European printed image of the Aztec capital, the first European map of the Gulf of Mexico, and the first map to use the names Florida and Yucatan, the 1524 map of Tenochtitlan from Cortes’ second and third letter earned a place in the history of cartography (Figure I). This map, published in Nuremberg to accompany the Latin edition, is commonly mentioned in histories of cartography, but scholarship about this map is relatively genera…
The New World Seen as the Old
As the first European printed image of the Aztec capital, the first European map of the Gulf of Mexico, and the first map to use the names Florida and Yucatan, the 1524 map of Tenochtitlan from Cortes’ second and third letter earned a place in the history of cartography (Figure I). This map, published in Nuremberg to accompany the Latin edition, is commonly mentioned in histories of cartography, but scholarship about this map is relatively genera…
Terrible Fascination’
This article proposes a relationship between the subject matter of the dead and the vehicle of stereography in American Civil War photography. In addition, it suggests a set of parallel oppositions between repulsion as compared with attraction and between Barthes's ‘reality effect’ and a known illusion created by mechanical means. Civil War photographs commanded attention but repulsed with their horrific subject matter. Although stereography gave…
Archaeology (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Art (1 work) · Art history (1 work) · Capital (architecture (1 work) · Cartography (1 work) · Computer Science (1 work) · CONTEST (1 work)