Audrey Miller
Biographic Data
| ID | 6222491 |
|---|---|
| NAME | Audrey Miller |
| GIVEN NAMES | Audrey |
| FAMILY NAME | Miller |
| SIGNATURE | MILLER A |
| AFFILIATIONS | Johns Hopkins University |
| ORCID | 0000-0003-2048-6856 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Bodies and Things
This article explores how the polyvalent nature of violence in Julia Ducournau’s film Titane (2021) orients viewers towards posthumanist ontologies and epistemologies. Titane follows the film’s polymorphously perverse female protagonist, Alexia, as she undergoes a physical and phenomenological transformation following a sexual encounter with a car. Drawing on Michel Foucault’s assessment of violence as the assertion of power, I examine the disart…
Plants as Trans Ecologies
This essay explores how artifice and queer form in Bertrand Mandico’s film The Wild Boys (2017. Dir. Bertrand Mandico . Ecce Films) interrogate more-than-human entanglements to orient viewers toward a trans ecology. In Mandico’s botanical imaginary, he crafts a world of excessive artifice where both the characters and the land in which they inhabit are entirely mutable. By creating a polymorphously perverse world where there is no such thing as a…
Effects of State-Level Abortion and LGBT Laws and Policies on Interstate Migration Attitudes
Effects of State-Level Abortion and LGBT Laws and Policies on Interstate Migration Attitudes
Plants as Trans Ecologies
This essay explores how artifice and queer form in Bertrand Mandico’s film The Wild Boys (2017. Dir. Bertrand Mandico . Ecce Films) interrogate more-than-human entanglements to orient viewers toward a trans ecology. In Mandico’s botanical imaginary, he crafts a world of excessive artifice where both the characters and the land in which they inhabit are entirely mutable. By creating a polymorphously perverse world where there is no such thing as a…
Bodies and Things
This article explores how the polyvalent nature of violence in Julia Ducournau’s film Titane (2021) orients viewers towards posthumanist ontologies and epistemologies. Titane follows the film’s polymorphously perverse female protagonist, Alexia, as she undergoes a physical and phenomenological transformation following a sexual encounter with a car. Drawing on Michel Foucault’s assessment of violence as the assertion of power, I examine the disart…
Utopian, Dystopian, and Speculative Fiction (2 works) · Abortion (1 work) · Assertion (1 work) · Biology (1 work) · Cinema and Media Studies (1 work) · Context (archaeology (1 work) · Demographic economics (1 work) · Disarticulation (1 work) · Ecocriticism and Environmental Literature (1 work) · Economics (1 work)