David Issai Saldaña Moncada
Biographic Data
| ID | 6235099 |
|---|---|
| NAME | David Issai Saldaña Moncada |
| GIVEN NAMES | David Issai Saldaña |
| FAMILY NAME | Moncada |
| SIGNATURE | MONCADA D I S |
| AFFILIATIONS | Universidad Nacional Autonoma de Mexico |
| ORCID | 0000-0001-9086-2138 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
La mirada hacia el sol naciente
En este trabajo se comparan las manifestaciones literarias del erotismo en De ánima (1984), del escritor mexicano Juan García Ponce, y La llave (Kagi 1956), del autor japonés Jun’ichirō Tanizaki. Con base en un acercamiento previo de García Ponce a la literatura japonesa, se plantea un análisis de los alcances del orientalismo en la perspectiva del narrador mexicano, enfocado particularmente en el diálogo entre visiones del erotismo con Tanizaki.…
La paz del vacío y la bola de la Revolución
This paper deals with El samurái de la Graflex, by Daniel Salinas Basave. The analysis focuses on the representation of a historical character of Japanese origin: Kingo Nonaka, whose figure represents the irruption of a culture that contrasts with the attitudes and ideosyncrasy of revolutionary Mexico. Nonaka concentrates elements that form the image of a Japan in transition towards modernity. Between meditation as a method for diving and fluency…
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La paz del vacío y la bola de la Revolución
This paper deals with El samurái de la Graflex, by Daniel Salinas Basave. The analysis focuses on the representation of a historical character of Japanese origin: Kingo Nonaka, whose figure represents the irruption of a culture that contrasts with the attitudes and ideosyncrasy of revolutionary Mexico. Nonaka concentrates elements that form the image of a Japan in transition towards modernity. Between meditation as a method for diving and fluency…
La mirada hacia el sol naciente
En este trabajo se comparan las manifestaciones literarias del erotismo en De ánima (1984), del escritor mexicano Juan García Ponce, y La llave (Kagi 1956), del autor japonés Jun’ichirō Tanizaki. Con base en un acercamiento previo de García Ponce a la literatura japonesa, se plantea un análisis de los alcances del orientalismo en la perspectiva del narrador mexicano, enfocado particularmente en el diálogo entre visiones del erotismo con Tanizaki.…
Art (2 works) · Cultural and Social Studies in Latin America (2 works) · Humanities (2 works) · Epistemology (1 work) · Garcia (1 work) · Latin American and Latino Studies (1 work) · Latin American Literature Studies (1 work) · Literary and Philosophical Studies (1 work) · Modernity (1 work) · Philosophy (1 work)