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Sara Danius

Biographic Data

ID6240849
NAMESara Danius
GIVEN NAMESSara
FAMILY NAMEDanius
SIGNATUREDANIUS S
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS29
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2014
H-INDEX1
  • The Cambridge History of Gay and Lesbian Literature

    Open Access•Harriette Andreadis, David DeCosta Leitao et al.•BOOK•Cambridge History of Gay and…•2014

    The Cambridge History of Gay and Lesbian Literature presents a global history of the field and is an unprecedented summation of critical knowledge on gay and lesbian literature that also addresses the impact of gay and lesbian literature on cognate fields such as comparative literature and postcolonial studies. Covering subjects from Sappho and the Greeks to queer modernism, diasporic literatures, and responses to the AIDS crisis, this volume is …

  • Joyce's Scissors

    Sara Daniu, Sara Danius•ARTICLE•New Literary History•2008

    Joyce’s Scissors: Modernism and the Dissolution of the Event Sara Danius (bio) Nothing happens while you live. The scenery changes, people come in and go out, that’s all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition. From time to time you make a semi-total: you say: I’ve been travelling for three years, I’ve been in Bouville for three years. Neither is there any end: you never l…

  • The Senses of Modernism

    Sara Danius•BOOK•Senses of Modernism•2002

    In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the hig…

  • Novel Visions and the Crisis of Culture

    Sara Daniu, Sara Danius•ARTICLE•boundary 2•2000•Cited by: 1•References: 5

    Research Article| May 01 2000 Novel Visions and the Crisis of Culture: Visual Technology, Modernism,and Death in The Magic Mountain Sara Danius Sara Danius Search for other works by this author on: This Site Google boundary 2 (2000) 27 (2): 177–211. https://doi.org/10.1215/01903659-27-2-177 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tool…

  • An Interview with Gayatri Chakravorty Spivak

    Sara Danius, Sofia Jonsson et al.•ARTICLE•boundary 2•1993•Cited by: 28

    Spivak: I think now of the necessity of unlearning one's learning in a slightly different way from when I first said it. I understand all my work as being in a sort of stream of learning how to unlearn and what to unlearn, because my positions are growing and changing so much; since I don't really work from within an expertise, I have to really be on my feet learning new things all the time, and as I learn these new things, my positions change. I…

  • An Interview with Gayatri Chakravorty Spivak

    Sara Danius, Sofia Jonsson et al.•ARTICLE•boundary 2•1993•Cited by: 28

    Spivak: I think now of the necessity of unlearning one's learning in a slightly different way from when I first said it. I understand all my work as being in a sort of stream of learning how to unlearn and what to unlearn, because my positions are growing and changing so much; since I don't really work from within an expertise, I have to really be on my feet learning new things all the time, and as I learn these new things, my positions change. I…

  • Novel Visions and the Crisis of Culture

    Sara Daniu, Sara Danius•ARTICLE•boundary 2•2000•Cited by: 1•References: 5

    Research Article| May 01 2000 Novel Visions and the Crisis of Culture: Visual Technology, Modernism,and Death in The Magic Mountain Sara Danius Sara Danius Search for other works by this author on: This Site Google boundary 2 (2000) 27 (2): 177–211. https://doi.org/10.1215/01903659-27-2-177 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tool…

  • An Interview with Gayatri Chakravorty Spivak

    Sara Danius, Sofia Jonsson et al.•ARTICLE•boundary 2•1993•Cited by: 28

    Spivak: I think now of the necessity of unlearning one's learning in a slightly different way from when I first said it. I understand all my work as being in a sort of stream of learning how to unlearn and what to unlearn, because my positions are growing and changing so much; since I don't really work from within an expertise, I have to really be on my feet learning new things all the time, and as I learn these new things, my positions change. I…

  • Novel Visions and the Crisis of Culture

    Sara Daniu, Sara Danius•ARTICLE•boundary 2•2000•Cited by: 1•References: 5

    Research Article| May 01 2000 Novel Visions and the Crisis of Culture: Visual Technology, Modernism,and Death in The Magic Mountain Sara Danius Sara Danius Search for other works by this author on: This Site Google boundary 2 (2000) 27 (2): 177–211. https://doi.org/10.1215/01903659-27-2-177 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tool…

  • The Senses of Modernism

    Sara Danius•BOOK•Senses of Modernism•2002

    In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the hig…

  • Joyce's Scissors

    Sara Daniu, Sara Danius•ARTICLE•New Literary History•2008

    Joyce’s Scissors: Modernism and the Dissolution of the Event Sara Danius (bio) Nothing happens while you live. The scenery changes, people come in and go out, that’s all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition. From time to time you make a semi-total: you say: I’ve been travelling for three years, I’ve been in Bouville for three years. Neither is there any end: you never l…

  • The Cambridge History of Gay and Lesbian Literature

    Open Access•Harriette Andreadis, David DeCosta Leitao et al.•BOOK•Cambridge History of Gay and…•2014

    The Cambridge History of Gay and Lesbian Literature presents a global history of the field and is an unprecedented summation of critical knowledge on gay and lesbian literature that also addresses the impact of gay and lesbian literature on cognate fields such as comparative literature and postcolonial studies. Covering subjects from Sappho and the Greeks to queer modernism, diasporic literatures, and responses to the AIDS crisis, this volume is …

Art history (4 works) · Art (3 works) · Modernism (music) (3 works) · Sociology (3 works) · History (2 works) · Literatur (2 works) · 17.80 literary theory: general (1 work) · A la recherche du temps perdu (1 work) · African Sexualities and LGBTQ+ Issues (1 work) · Ancient history (1 work)

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