Laura Crossley
Biographic Data
| ID | 6253946 |
|---|---|
| NAME | Laura Crossley |
| GIVEN NAMES | Laura |
| FAMILY NAME | Crossley |
| SIGNATURE | CROSSLEY L |
| AFFILIATIONS | George Mason University |
| ORCID | 0000-0001-7249-5178 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Fight Like Girls
In their 2015 article on stuntwomen, Miranda J. Banks and Lauren Steimer argue that the figure of the stunt double is subjected to a process of erasure throughout the production of the action film or series, and most certainly in popular press accounts that promote the idea of stars (both male and female) as the performers of their own stunts. This erasure is also evident in the comparative lack of scholarly work on the labour-intensive – and oft…
“An Exhibit as Will Astonish the Civilized World”
Chickasaw, Choctaw, Cherokee, Muscogee, and Seminole citizens employed the Indian Territory exhibits at the 1904 Louisiana Purchase Exposition to advance the separate statehood movement. Increasingly shut out of the formal political realm, they adopted creative measures to exert their political will, including participating in the world’s fair. Employing insights from settler-colonial theory and public history, this paper argues that the politics…
Geriaction Cinema
The Irishman (2019). Directed by Martin Scorsese. Shown from left: Robert De Niro, Al Pacino, Ray Romano. Photo courtesy of Netflix/Photofest.TO SAY that Da 5 Bloods (Spike Lee, 2020) is self-consc
The Capra Touch
No prominent works on this page.
The Capra Touch
Geriaction Cinema
The Irishman (2019). Directed by Martin Scorsese. Shown from left: Robert De Niro, Al Pacino, Ray Romano. Photo courtesy of Netflix/Photofest.TO SAY that Da 5 Bloods (Spike Lee, 2020) is self-consc
“An Exhibit as Will Astonish the Civilized World”
Chickasaw, Choctaw, Cherokee, Muscogee, and Seminole citizens employed the Indian Territory exhibits at the 1904 Louisiana Purchase Exposition to advance the separate statehood movement. Increasingly shut out of the formal political realm, they adopted creative measures to exert their political will, including participating in the world’s fair. Employing insights from settler-colonial theory and public history, this paper argues that the politics…
Fight Like Girls
In their 2015 article on stuntwomen, Miranda J. Banks and Lauren Steimer argue that the figure of the stunt double is subjected to a process of erasure throughout the production of the action film or series, and most certainly in popular press accounts that promote the idea of stars (both male and female) as the performers of their own stunts. This erasure is also evident in the comparative lack of scholarly work on the labour-intensive – and oft…
Archaeology (2 works) · Art (2 works) · History (2 works) · American Environmental and Regional History (1 work) · American History and Culture (1 work) · Art history (1 work) · Art, Technology, and Culture (1 work) · Bond (1 work) · Capra (1 work) · Cherokee (1 work)