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Kelly Ritter

Biographic Data

ID6254048
NAMEKelly Ritter
GIVEN NAMESKelly
FAMILY NAMERitter
SIGNATURERITTER K
AFFILIATIONSGeorgia Institute of Technology
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2026
H-INDEX1
  • The Battles of Texas

    Mark Longaker, David Fleming et al.•ARTICLE•Journal for the History of Rhetoric•2026

    One of the surprises of the history of higher education in the United States is that, after World War II, when the undergraduate project could have moved wholly in the direction of specialized knowledge and technical job training, it did not. Instead, the 1940s and 1950s were a golden age for “general education,” common coursework for students’ holistic development. Few disciplines benefited more from this state of affairs than did English; at ma…

  • Spectacle at the Disco

    Kelly Ritter•ARTICLE•Journal of Popular Film and…•2001•Cited by: 1•References: 1

    In our postmodern visual culture, the idea of spectacle conjures images of excess. In defining spectatorship, we emphasize the visual, drawing physical eyewitnesses toward the spectacular moment itself and into the reification of that moment on the film screen. However, recent Hollywood cinema has challenged the notion that all spectacle must take place within the realm of the visual, as many films strive to reach spectators aurally, via their so…

  • Spectacle at the Disco

    Kelly Ritter•ARTICLE•Journal of Popular Film and…•2001•Cited by: 1•References: 1

    In our postmodern visual culture, the idea of spectacle conjures images of excess. In defining spectatorship, we emphasize the visual, drawing physical eyewitnesses toward the spectacular moment itself and into the reification of that moment on the film screen. However, recent Hollywood cinema has challenged the notion that all spectacle must take place within the realm of the visual, as many films strive to reach spectators aurally, via their so…

  • Spectacle at the Disco

    Kelly Ritter•ARTICLE•Journal of Popular Film and…•2001•Cited by: 1•References: 1

    In our postmodern visual culture, the idea of spectacle conjures images of excess. In defining spectatorship, we emphasize the visual, drawing physical eyewitnesses toward the spectacular moment itself and into the reification of that moment on the film screen. However, recent Hollywood cinema has challenged the notion that all spectacle must take place within the realm of the visual, as many films strive to reach spectators aurally, via their so…

  • The Battles of Texas

    Mark Longaker, David Fleming et al.•ARTICLE•Journal for the History of Rhetoric•2026

    One of the surprises of the history of higher education in the United States is that, after World War II, when the undergraduate project could have moved wholly in the direction of specialized knowledge and technical job training, it did not. Instead, the 1940s and 1950s were a golden age for “general education,” common coursework for students’ holistic development. Few disciplines benefited more from this state of affairs than did English; at ma…

Aesthetics (1 work) · Art (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Coursework (1 work) · Discourse Analysis in Language Studies (1 work) · Hegemony (1 work) · Higher education (1 work) · Higher Education Research Studies (1 work) · Hollywood (1 work)

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