John Hodgkins
Biographic Data
| ID | 6254101 |
|---|---|
| NAME | John Hodgkins |
| GIVEN NAMES | John |
| FAMILY NAME | Hodgkins |
| SIGNATURE | HODGKINS J |
| AFFILIATIONS | Borough of Manhattan Community College |
| ORCID | 0000-0001-9350-0378 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Let it bleed
Multiple critics have interpreted the 2012 horror film The Cabin in the Woods , written by Joss Whedon and Drew Goddard and directed by the latter, as a playful, postmodern critique of the horror genre. Drawing on the ideas of Daniel Frampton, this article seeks to trouble that reading, and argue instead that the text itself views cinematic horror in a more unequivocally favourable light than either of its creators intended. More precisely, I arg…
In the Wake of Desert Storm
James Agee once described the “war film” as a triple-distilled image of collective dreams, habits, or desires. In other words, Agee was saying, a war film is hardly ever just a war film. Using this idea as a rough guide, the author drew on a number of journalistic, historical, and theoretical texts in an examination of World War II films produced during the decade following the Persian Gulf War. More specifically, the author attempted to explore …
Industrial Textile Machinery
In the Wake of Desert Storm
James Agee once described the “war film” as a triple-distilled image of collective dreams, habits, or desires. In other words, Agee was saying, a war film is hardly ever just a war film. Using this idea as a rough guide, the author drew on a number of journalistic, historical, and theoretical texts in an examination of World War II films produced during the decade following the Persian Gulf War. More specifically, the author attempted to explore …
Industrial Textile Machinery
In the Wake of Desert Storm
James Agee once described the “war film” as a triple-distilled image of collective dreams, habits, or desires. In other words, Agee was saying, a war film is hardly ever just a war film. Using this idea as a rough guide, the author drew on a number of journalistic, historical, and theoretical texts in an examination of World War II films produced during the decade following the Persian Gulf War. More specifically, the author attempted to explore …
Let it bleed
Multiple critics have interpreted the 2012 horror film The Cabin in the Woods , written by Joss Whedon and Drew Goddard and directed by the latter, as a playful, postmodern critique of the horror genre. Drawing on the ideas of Daniel Frampton, this article seeks to trouble that reading, and argue instead that the text itself views cinematic horror in a more unequivocally favourable light than either of its creators intended. More precisely, I arg…
Archaeology (2 works) · Art (2 works) · Law (2 works) · Literature (2 works) · Movie theater (2 works) · Sociology (2 works) · Aesthetics (1 work) · African history and culture studies (1 work) · Ancient history (1 work) · Anthropology (1 work)