Jinmei Fan
Biographic Data
| ID | 6254209 |
|---|---|
| NAME | Jinmei Fan |
| GIVEN NAMES | Jinmei |
| FAMILY NAME | Fan |
| SIGNATURE | FAN J |
| AFFILIATIONS | Guangzhou Civil Aviation College |
| ORCID | 0009-0002-1376-4985 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Orientalized Imagery in Posthuman Science-Fiction Cities
as the fictional marco polo in Italo Calvino's Invisible Cities explains, “cities, like dreams, are made of desires and fears” (44). Urban spaces, both real and imaginary, are projections of cultural fantasies and anxieties. Henri Lefebvre points out that “space is political and ideological. It is a product literally filled with ideologies” (171). Steve Pile contends that “underlying the production of cities are the hidden workings of desire and …
The Return of the Illegitimate Offspring
The 2017 live-action remake of Mamoru Oshii’s 1995 anime Ghost in the Shell offers an interesting case study in the shifting conceptualization of posthuman identity through its re-characterization of the cyborg figure Major Kusanagi. The film’s purposeful revisioning of the Japanese anime is not only the superimposing of Hollywood sensibilities onto other cultures, but also serves to negotiate the human-machine interaction in the context of posth…
History as Murder Mystery
No prominent works on this page.
History as Murder Mystery
Orientalized Imagery in Posthuman Science-Fiction Cities
as the fictional marco polo in Italo Calvino's Invisible Cities explains, “cities, like dreams, are made of desires and fears” (44). Urban spaces, both real and imaginary, are projections of cultural fantasies and anxieties. Henri Lefebvre points out that “space is political and ideological. It is a product literally filled with ideologies” (171). Steve Pile contends that “underlying the production of cities are the hidden workings of desire and …
The Return of the Illegitimate Offspring
The 2017 live-action remake of Mamoru Oshii’s 1995 anime Ghost in the Shell offers an interesting case study in the shifting conceptualization of posthuman identity through its re-characterization of the cyborg figure Major Kusanagi. The film’s purposeful revisioning of the Japanese anime is not only the superimposing of Hollywood sensibilities onto other cultures, but also serves to negotiate the human-machine interaction in the context of posth…
Narrative (3 works) · Bioethics and Human Rights Issues (2 works) · Posthuman (2 works) · Action (physics (1 work) · American Sports and Literature (1 work) · Anime (1 work) · Chinatown (1 work) · Comics (1 work) · Conceptualization (1 work) · Context (archaeology) (1 work)