Olabisi Obamakin
Biographic Data
| ID | 6270973 |
|---|---|
| NAME | Olabisi Obamakin |
| GIVEN NAMES | Olabisi |
| FAMILY NAME | Obamakin |
| SIGNATURE | OBAMAKIN O |
| AFFILIATIONS | Postdoctoral Research Associate in Theological Education, Department of Theology, University of Durham Durham UK |
| ORCID | 0000-0002-8117-7689 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Yoruba Girl Dancing
This article seeks to offer a Nigerian/British women’s reading of Herodias’ daughter’s dance in Mark and Matthew by reading it alongside Simi Bedford’s Yoruba Girl Dancing . In this article, the dominant Western interpretation of Herodias’s daughter’s dance being erotic is shown to have been heavily influenced by hypersexualised art reception history in the face of no biblical evidence. By combining insights from Simi Bedford’s novel (which depic…
Don’t touch my hair
Contextual Theology recognises that Euro-American biblical interpretation has an enduring, complex, and contested legacy of silencing particular voices in relation to considerations of race/gender identity/religion and migration. Whilst postcolonial and African biblical interpretation have become more established in recent scholarship, there has been little, if any, consideration of the particular hybrid location of scholarship which is neither ‘…
No prominent works on this page.
Don’t touch my hair
Contextual Theology recognises that Euro-American biblical interpretation has an enduring, complex, and contested legacy of silencing particular voices in relation to considerations of race/gender identity/religion and migration. Whilst postcolonial and African biblical interpretation have become more established in recent scholarship, there has been little, if any, consideration of the particular hybrid location of scholarship which is neither ‘…
Yoruba Girl Dancing
This article seeks to offer a Nigerian/British women’s reading of Herodias’ daughter’s dance in Mark and Matthew by reading it alongside Simi Bedford’s Yoruba Girl Dancing . In this article, the dominant Western interpretation of Herodias’s daughter’s dance being erotic is shown to have been heavily influenced by hypersexualised art reception history in the face of no biblical evidence. By combining insights from Simi Bedford’s novel (which depic…
Art (2 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Biblical studies (1 works) · Biblical Studies and Interpretation (1 works) · Biology (1 works) · Caribbean history, culture, and politics (1 works) · Daughter (1 works)