Christopher Sieving
Biographic Data
| ID | 6276844 |
|---|---|
| NAME | Christopher Sieving |
| GIVEN NAMES | Christopher |
| FAMILY NAME | Sieving |
| SIGNATURE | SIEVING C |
| AFFILIATIONS | University of Georgia |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
The man can’t bust our movies
This article examines the link between the advertising images represented within Michelangelo Antonioni’s Zabriskie Point (MGM, 1970) and the strategies employed for the film’s own marketing and promotion. I argue that Zabriskie Point’s critical and commercial failure is partly due to Antonioni’s misunderstanding of the function of studio publicity and promotion and to his studio’s misperceptions of late Sixties countercultural youth, who are bot…
Super Sonics Song Score as Counter-Narration in Super Fly
Super Sonics
Eve, Not Edie
Postmodern Culture - Volume 8, Number 3, May 1998
Cop Out? The Media, “Cop Killer,” and the Deracialization of Black Rage
In 1992, a number of public officials, political hopefuls, and police organizations declared discursive war on the black-recorded “metal” song “Cop Killer.” Exploiting the mainstream media's ban on reproducing in full the lyrics of the offending text, conservatives sought to direct public opinion against “Cop Killer” author Ice-T by deracializing the debate—that is, through wrenching the song's anti-police brutality sentiments from its social con…
Cop Out? The Media, “Cop Killer,” and the Deracialization of Black Rage
In 1992, a number of public officials, political hopefuls, and police organizations declared discursive war on the black-recorded “metal” song “Cop Killer.” Exploiting the mainstream media's ban on reproducing in full the lyrics of the offending text, conservatives sought to direct public opinion against “Cop Killer” author Ice-T by deracializing the debate—that is, through wrenching the song's anti-police brutality sentiments from its social con…
Eve, Not Edie
Postmodern Culture - Volume 8, Number 3, May 1998
Cop Out? The Media, “Cop Killer,” and the Deracialization of Black Rage
In 1992, a number of public officials, political hopefuls, and police organizations declared discursive war on the black-recorded “metal” song “Cop Killer.” Exploiting the mainstream media's ban on reproducing in full the lyrics of the offending text, conservatives sought to direct public opinion against “Cop Killer” author Ice-T by deracializing the debate—that is, through wrenching the song's anti-police brutality sentiments from its social con…
Super Sonics Song Score as Counter-Narration in Super Fly
Super Sonics
The man can’t bust our movies
This article examines the link between the advertising images represented within Michelangelo Antonioni’s Zabriskie Point (MGM, 1970) and the strategies employed for the film’s own marketing and promotion. I argue that Zabriskie Point’s critical and commercial failure is partly due to Antonioni’s misunderstanding of the function of studio publicity and promotion and to his studio’s misperceptions of late Sixties countercultural youth, who are bot…
Art (5 works) · Sociology (4 works) · History (3 works) · Media studies (3 works) · Art history (2 works) · Computer Science (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Law (2 works) · Law (2 works)