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Bill D Herman

Biographic Data

ID6277055
NAMEBill D Herman
GIVEN NAMESBill D
FAMILY NAMEHerman
SIGNATUREHERMAN B D
AFFILIATIONSHunter College
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS3
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Dissolving Innovation in Meltwater

    Open Access•Bill D Herman•ARTICLE•Journal of Information Policy•2015

    Internet search engines serve an ever-more-pressing need. They rely heavily on leeway under copyright law; in the United States, that primarily means fair use. A 2013 decision, Associated Press v. Meltwater, advances an unsupported, highly limiting interpretation of fair use as it applies to search. Of particular concern, the court artificially constrains which services meet the legally favorable standard of having a transformative purpose. The r…

  • Digital depression

    Open Access•Bill D Herman•ARTICLE•New Media & Society•2015•Cited by: 1

  • The Internet Defends Itself

    Bill D Herman, Minjeong Kim•ARTICLE•The Information Society•2014•References: 20

    This study examines the network neutrality debate, as represented online. The research begins by conducting network analysis to identify key websites, followed by retrieving the relevant documents and using content analysis. Results demonstrate that the online version of the debate skews heavily toward the pro-network neutrality side. The web debate also includes much higher proportions of voices from nonprofit sectors, especially nongovernmental…

  • Deepening insights into copyright and culture

    Open Access•Bill D Herman•ARTICLE•New Media & Society•2013•References: 1

  • Taking the copyfight online

    Open Access•Bill D Herman•ARTICLE•Journal of Computer-Mediated…•2012•Cited by: 1•References: 5

    This article examines the rhetoric around copyright and the regulation of digital rights management (DRM) from 2003 to 2006 in congressional hearings, in major newspapers, and on the most prominent relevant websites. The article describes a new combination of methods for identifying a set of online documents to compare with offline documents via content analysis. These three media present very different views of the copyright debate. Hearings pre…

  • Scratching Out Authorship

    Bill D Herman•ARTICLE•Popular Communication•2006•Cited by: 1•References: 3

    This article argues that the DJ is represented by the electronic music industry as the creative author of his or her music. I examine commercial discourse aimed at the consumer of DJ-mixed music, such as rave flyers and electronic music CDs, as well as discourse aimed at the DJ-consumer, such as trade magazines and gear catalogues. In all of this discourse, the DJ is presented as the culmination of creative musical technology, a musical author-go…

  • Digital depression

    Open Access•Bill D Herman•ARTICLE•New Media & Society•2015•Cited by: 1

  • Taking the copyfight online

    Open Access•Bill D Herman•ARTICLE•Journal of Computer-Mediated…•2012•Cited by: 1•References: 5

    This article examines the rhetoric around copyright and the regulation of digital rights management (DRM) from 2003 to 2006 in congressional hearings, in major newspapers, and on the most prominent relevant websites. The article describes a new combination of methods for identifying a set of online documents to compare with offline documents via content analysis. These three media present very different views of the copyright debate. Hearings pre…

  • Scratching Out Authorship

    Bill D Herman•ARTICLE•Popular Communication•2006•Cited by: 1•References: 3

    This article argues that the DJ is represented by the electronic music industry as the creative author of his or her music. I examine commercial discourse aimed at the consumer of DJ-mixed music, such as rave flyers and electronic music CDs, as well as discourse aimed at the DJ-consumer, such as trade magazines and gear catalogues. In all of this discourse, the DJ is presented as the culmination of creative musical technology, a musical author-go…

  • Scratching Out Authorship

    Bill D Herman•ARTICLE•Popular Communication•2006•Cited by: 1•References: 3

    This article argues that the DJ is represented by the electronic music industry as the creative author of his or her music. I examine commercial discourse aimed at the consumer of DJ-mixed music, such as rave flyers and electronic music CDs, as well as discourse aimed at the DJ-consumer, such as trade magazines and gear catalogues. In all of this discourse, the DJ is presented as the culmination of creative musical technology, a musical author-go…

  • Taking the copyfight online

    Open Access•Bill D Herman•ARTICLE•Journal of Computer-Mediated…•2012•Cited by: 1•References: 5

    This article examines the rhetoric around copyright and the regulation of digital rights management (DRM) from 2003 to 2006 in congressional hearings, in major newspapers, and on the most prominent relevant websites. The article describes a new combination of methods for identifying a set of online documents to compare with offline documents via content analysis. These three media present very different views of the copyright debate. Hearings pre…

  • Deepening insights into copyright and culture

    Open Access•Bill D Herman•ARTICLE•New Media & Society•2013•References: 1

  • The Internet Defends Itself

    Bill D Herman, Minjeong Kim•ARTICLE•The Information Society•2014•References: 20

    This study examines the network neutrality debate, as represented online. The research begins by conducting network analysis to identify key websites, followed by retrieving the relevant documents and using content analysis. Results demonstrate that the online version of the debate skews heavily toward the pro-network neutrality side. The web debate also includes much higher proportions of voices from nonprofit sectors, especially nongovernmental…

  • Dissolving Innovation in Meltwater

    Open Access•Bill D Herman•ARTICLE•Journal of Information Policy•2015

    Internet search engines serve an ever-more-pressing need. They rely heavily on leeway under copyright law; in the United States, that primarily means fair use. A 2013 decision, Associated Press v. Meltwater, advances an unsupported, highly limiting interpretation of fair use as it applies to search. Of particular concern, the court artificially constrains which services meet the legally favorable standard of having a transformative purpose. The r…

  • Digital depression

    Open Access•Bill D Herman•ARTICLE•New Media & Society•2015•Cited by: 1

Law (5 works) · Law (5 works) · Political science (5 works) · Sociology (5 works) · Computer Science (4 works) · Business (3 works) · Copyright and Intellectual Property (3 works) · Law and economics (3 works) · Social Media and Politics (3 works) · Economics (2 works)

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