Sally Treloyn
Biographic Data
| ID | 628295 |
|---|---|
| NAME | Sally Treloyn |
| GIVEN NAMES | Sally |
| FAMILY NAME | Treloyn |
| SIGNATURE | TRELOYN S |
| AFFILIATIONS | The University of Melbourne |
| ORCID | 0000-0001-8721-9432 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 48 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Dirna arrun “We Hold It”
Since 2009–2010, practioner-custodians from Wanjina-Wunggurr First Nations in the Kimberley region of northwestern Australia have drawn upon archival materials relating to the multimodal performance-storytelling form Junba to renourish the practice and strengthen social and emotional well-being of young people in their communities. Numerous dance-songs that have not been performed for many years, some as long ago as the 1930s, others the 1960s, h…
Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone
To the extent that intercultural ethnomusicology in the Australian settler state operates on a colonialist stage, research that perpetuates a procedure of discovery, recording, and offsite archiving, analysis, and interpretation risks repeating a form of musical colonialism with which ethnomusicology worldwide is inextricably tied. While these research methods continue to play an important role in contemporary intercultural ethnomusicological res…
Perspectives on musical competence for people with borderline personality disorder in group music therapy
Introduction: This paper explores perspectives on musical competence for seven people with borderline personality disorder participating in an 8-week music therapy program using group improvisation.Method: This qualitative study used an emergent design, informed by a pragmatic methodological stance, concerned with understanding how music making contributed to therapeutic process in practice. All clinical sessions were video recorded and analysed,…
Moving Songs
Repatriation has become almost ubiquitous in ethnomusicological research on Australian Indigenous song. This article provides insights into processes of a repatriation-centered song revitalization project in the Kimberley, northwest Australia. Authored by an ethnomusicologist and two members of the Ngarinyin cultural heritage community, the article provides firsthand accounts of the early phases of a long-term repatriation-centered project referr…
Yurntumu-wardingki Juju-ngaliya-kurlangu Yawulyu
Yurntumu-wardingki Juju-ngaliya-kurlangu Yawulyu: Warlpiri Women’s Songs from Yuendumu. 2017. Batchelor Institute Press. Recorded by Georgia Curran and Jeannie Nungarrayi Egan. Annotated by various. Produced by Georgia Curran. 112-page book with notes in English. Colour and B/W photographs, musical notations, map, glossary, bibliography, QR codes. 4 CDs and 1 DVD. CD 1, 15 tracks (29:06); CD 2, 11 tracks (30:09); CD 3, 22 tracks (53:44); CD 4, 15…
A Distinctive Voice in the Antipodes
The title of this collection honouring Stephen Wild—A Distinctive Voice in the Antipodes—is drawn from his own essay celebrating the 50th anniversary of the journal Ethnomusicology (Wild 2006). While Stephen pondered whether there might be a distinctive voice in the ethnomusicology of Australia and New Zealand, we have turned his question into a statement of fact and applied it to him as someone who very much embodies such a distinctive voice thr…
Singing with a Distinctive Voice
Circulating Cultures
Circulating Cultures is an edited book about the transformation of cultural materials through the Australian landscape. The book explores cultural circulation, exchange and transit, through events such as the geographical movement of song series across the Kimberley and Arnhem Land; the transformation of Australian Aboriginal dance in the hands of an American choreographer
Sustaining Traditions
Researchers and collecting institutions have long been concerned with issues of sustainability and accessibility in relation to the audio and video recordings, metadata and documents that they create and manage. While early research sought to create a sustainable record of performance traditions that would be available to future generations, archives have striven to ensure that these recordings are held in durable and sustainable formats. In rece…
Half way
In a series of discussions between 1999 and 2002 Scotty Martin—an expert composer of junta songs in the northern Kimberley—dictated the texts of his jadmi style songs to first Linda Barwick and then myself so that they could be accurately transcribed. In the course of these discussions, Martin identified five short sections of text that he described as 'half way'. In each case, this 'half way' description refers to the fact that, when sung, the t…
Magowan, Fiona
Anthropos , Seite 239 - 241
Songs, Dreamings, and Ghosts
Book Review| October 01 2008 Songs, Dreamings, and Ghosts: The Wangga of North Australia Songs, Dreamings, and Ghosts: The Wangga of North Australia, Allan Marett. Sally Treloyn Sally Treloyn Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (3): 484–487. https://doi.org/10.2307/20174616 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sally Treloyn; Songs, Dreami…
Scotty Martin's Jadmi Junba
Barwick (1990) finds that, in Central Australian performance, whilst text and melody in isolation are relatively fixed, ‘there is immense variability in their combination, which is accomplished by what may be crudely characterised as a process of expansion and contraction of the melody to accommodate texts of different lengths’ (Barwick 1990:61). Following musicological examinations by both Barwick (Barwick 1989, 1990 and 1995) and Keogh (Keogh 1…
Half way
In a series of discussions between 1999 and 2002 Scotty Martin—an expert composer of junta songs in the northern Kimberley—dictated the texts of his jadmi style songs to first Linda Barwick and then myself so that they could be accurately transcribed. In the course of these discussions, Martin identified five short sections of text that he described as 'half way'. In each case, this 'half way' description refers to the fact that, when sung, the t…
Sustaining Traditions
Researchers and collecting institutions have long been concerned with issues of sustainability and accessibility in relation to the audio and video recordings, metadata and documents that they create and manage. While early research sought to create a sustainable record of performance traditions that would be available to future generations, archives have striven to ensure that these recordings are held in durable and sustainable formats. In rece…
Perspectives on musical competence for people with borderline personality disorder in group music therapy
Introduction: This paper explores perspectives on musical competence for seven people with borderline personality disorder participating in an 8-week music therapy program using group improvisation.Method: This qualitative study used an emergent design, informed by a pragmatic methodological stance, concerned with understanding how music making contributed to therapeutic process in practice. All clinical sessions were video recorded and analysed,…
Circulating Cultures
Circulating Cultures is an edited book about the transformation of cultural materials through the Australian landscape. The book explores cultural circulation, exchange and transit, through events such as the geographical movement of song series across the Kimberley and Arnhem Land; the transformation of Australian Aboriginal dance in the hands of an American choreographer
Scotty Martin's Jadmi Junba
Barwick (1990) finds that, in Central Australian performance, whilst text and melody in isolation are relatively fixed, ‘there is immense variability in their combination, which is accomplished by what may be crudely characterised as a process of expansion and contraction of the melody to accommodate texts of different lengths’ (Barwick 1990:61). Following musicological examinations by both Barwick (Barwick 1989, 1990 and 1995) and Keogh (Keogh 1…
Songs, Dreamings, and Ghosts
Book Review| October 01 2008 Songs, Dreamings, and Ghosts: The Wangga of North Australia Songs, Dreamings, and Ghosts: The Wangga of North Australia, Allan Marett. Sally Treloyn Sally Treloyn Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (3): 484–487. https://doi.org/10.2307/20174616 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sally Treloyn; Songs, Dreami…
Half way
In a series of discussions between 1999 and 2002 Scotty Martin—an expert composer of junta songs in the northern Kimberley—dictated the texts of his jadmi style songs to first Linda Barwick and then myself so that they could be accurately transcribed. In the course of these discussions, Martin identified five short sections of text that he described as 'half way'. In each case, this 'half way' description refers to the fact that, when sung, the t…
Magowan, Fiona
Anthropos , Seite 239 - 241
Sustaining Traditions
Researchers and collecting institutions have long been concerned with issues of sustainability and accessibility in relation to the audio and video recordings, metadata and documents that they create and manage. While early research sought to create a sustainable record of performance traditions that would be available to future generations, archives have striven to ensure that these recordings are held in durable and sustainable formats. In rece…
Circulating Cultures
Circulating Cultures is an edited book about the transformation of cultural materials through the Australian landscape. The book explores cultural circulation, exchange and transit, through events such as the geographical movement of song series across the Kimberley and Arnhem Land; the transformation of Australian Aboriginal dance in the hands of an American choreographer
A Distinctive Voice in the Antipodes
The title of this collection honouring Stephen Wild—A Distinctive Voice in the Antipodes—is drawn from his own essay celebrating the 50th anniversary of the journal Ethnomusicology (Wild 2006). While Stephen pondered whether there might be a distinctive voice in the ethnomusicology of Australia and New Zealand, we have turned his question into a statement of fact and applied it to him as someone who very much embodies such a distinctive voice thr…
Singing with a Distinctive Voice
Moving Songs
Repatriation has become almost ubiquitous in ethnomusicological research on Australian Indigenous song. This article provides insights into processes of a repatriation-centered song revitalization project in the Kimberley, northwest Australia. Authored by an ethnomusicologist and two members of the Ngarinyin cultural heritage community, the article provides firsthand accounts of the early phases of a long-term repatriation-centered project referr…
Yurntumu-wardingki Juju-ngaliya-kurlangu Yawulyu
Yurntumu-wardingki Juju-ngaliya-kurlangu Yawulyu: Warlpiri Women’s Songs from Yuendumu. 2017. Batchelor Institute Press. Recorded by Georgia Curran and Jeannie Nungarrayi Egan. Annotated by various. Produced by Georgia Curran. 112-page book with notes in English. Colour and B/W photographs, musical notations, map, glossary, bibliography, QR codes. 4 CDs and 1 DVD. CD 1, 15 tracks (29:06); CD 2, 11 tracks (30:09); CD 3, 22 tracks (53:44); CD 4, 15…
Perspectives on musical competence for people with borderline personality disorder in group music therapy
Introduction: This paper explores perspectives on musical competence for seven people with borderline personality disorder participating in an 8-week music therapy program using group improvisation.Method: This qualitative study used an emergent design, informed by a pragmatic methodological stance, concerned with understanding how music making contributed to therapeutic process in practice. All clinical sessions were video recorded and analysed,…
Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone
To the extent that intercultural ethnomusicology in the Australian settler state operates on a colonialist stage, research that perpetuates a procedure of discovery, recording, and offsite archiving, analysis, and interpretation risks repeating a form of musical colonialism with which ethnomusicology worldwide is inextricably tied. While these research methods continue to play an important role in contemporary intercultural ethnomusicological res…
Dirna arrun “We Hold It”
Since 2009–2010, practioner-custodians from Wanjina-Wunggurr First Nations in the Kimberley region of northwestern Australia have drawn upon archival materials relating to the multimodal performance-storytelling form Junba to renourish the practice and strengthen social and emotional well-being of young people in their communities. Numerous dance-songs that have not been performed for many years, some as long ago as the 1930s, others the 1960s, h…
Diverse Musicological Studies (10 works) · Art (9 works) · History (8 works) · Visual arts (7 works) · Archaeology (5 works) · Musical (5 works) · Geography (4 works) · Sociology (4 works) · Art history (3 works) · Literature (3 works)