Adolfo Luis Soto Vázquez
Biographic Data
| ID | 6289381 |
|---|---|
| NAME | Adolfo Luis Soto Vázquez |
| GIVEN NAMES | Adolfo Luis Soto |
| FAMILY NAME | Vázquez |
| SIGNATURE | VÁZQUEZ A L S |
| AFFILIATIONS | Universidade da Coruña |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 0 |
Charles Dickens makes fun of idiolects in Martin Chuzzlewit
Martin Chuzzlewit is considered a very rich linguistic mosaic where a number of characters are in the habit of speaking 'private languages' or idiolects. In this travel-book we find a source of Dickens's impressions of America and a treatment of a linguistic problem: to make each class, each group and profession speak in its own characteristic way. In the representation of American speech the Victorian writer uses features such as deviant spellin…
Shakespeare's use of malapropisms and their translation into Spanish
The purpose of mis study is to delve into the most representative Spanish versions of Romeo andJ uliet, A Midsummer Night's Dream, The Merchant of Venice, Much Ado About Nothing and The Merry Wives of Windsor in order to analyse and evaluate the way malapropisms are rendered and whether the Spanish equivalents or the other solutions successfully or unsuccessfully convey their original function embedded in the English discourse. Since the main fun…
Donald Hawes. Who's Who in Dickens. London and New York: Routledge, 1998, 278 pp
Charles Dickens's works are increasingly appealing to scholars, researchers, international conferences and scientific journals.Up till now there has been limited documentation of the innovative aspects of Dickens's prose: idioms, lexical items, special uses of words that he introduced and are in currency today.Among his contributions to the English language, I would like to stress the ñames of Dickens's own characters since many of these ñames ha…
No prominent works on this page.
Donald Hawes. Who's Who in Dickens. London and New York: Routledge, 1998, 278 pp
Charles Dickens's works are increasingly appealing to scholars, researchers, international conferences and scientific journals.Up till now there has been limited documentation of the innovative aspects of Dickens's prose: idioms, lexical items, special uses of words that he introduced and are in currency today.Among his contributions to the English language, I would like to stress the ñames of Dickens's own characters since many of these ñames ha…
Shakespeare's use of malapropisms and their translation into Spanish
The purpose of mis study is to delve into the most representative Spanish versions of Romeo andJ uliet, A Midsummer Night's Dream, The Merchant of Venice, Much Ado About Nothing and The Merry Wives of Windsor in order to analyse and evaluate the way malapropisms are rendered and whether the Spanish equivalents or the other solutions successfully or unsuccessfully convey their original function embedded in the English discourse. Since the main fun…
Charles Dickens makes fun of idiolects in Martin Chuzzlewit
Martin Chuzzlewit is considered a very rich linguistic mosaic where a number of characters are in the habit of speaking 'private languages' or idiolects. In this travel-book we find a source of Dickens's impressions of America and a treatment of a linguistic problem: to make each class, each group and profession speak in its own characteristic way. In the representation of American speech the Victorian writer uses features such as deviant spellin…
History (3 works) · History (3 works) · Art (2 works) · Linguistics (2 works) · Linguistics, Language Diversity, and Identity (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Psychology (2 works) · Sociology (2 works)