Rui Carvalho Homem
Biographic Data
| ID | 6289407 |
|---|---|
| NAME | Rui Carvalho Homem |
| GIVEN NAMES | Rui Carvalho |
| FAMILY NAME | Homem |
| SIGNATURE | HOMEM R C |
| AFFILIATIONS | University of Oporto, Portugal |
| ORCID | 0000-0001-6303-5583 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Shakespeare Survey 78: Shakespeare and Communities
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 78 is 'Shakespe…
Of imaginings, mobility and mapping
Atlantic communities: Translation, mobility, hospitality
Historically, the Atlantic Ocean has served to define the relationship between the so-called worlds of the 'Old' and the 'New'. A geographical divide between continents, it is also no less a historical space across which peoples have travelled, sharing ideas and cultural practices, a site of encounter and exchange that has shaped the lives of communities and nations across the globe. This book maps this productive web of multi-layered connections…
Agency as Irony: Akrasia and (In)Action in Antony and Cleopatra and Othello
This paper discusses the matter of agency and intention in Shakespearean tragedy from a perspective defined by akrasia, or the perplexity which is posed by a character who wilfully makes a decision (either for action or passivity) the effect of which is contrary to his/her interests —even when everything (in this case, the dramatic situation) indicates s/he should be aware of its consequences. This discussion explores and questions notions of iro…
Couplings: Agon and Composition in Paul Muldoon’s Ekphrastic Poetry
In the course of more than thirty years of prolific writing, Paul Muldoon has earned a reputation for surprising his readers again and again. To a significant extent, this continued ability to “make it new” is closely linked to Muldoon’s characteristically relational writing. Often described (in tones of eulogy or of deprecation) as the epitome
Writing and Seeing: Essays on Word and Image
No prominent works on this page.
Couplings: Agon and Composition in Paul Muldoon’s Ekphrastic Poetry
In the course of more than thirty years of prolific writing, Paul Muldoon has earned a reputation for surprising his readers again and again. To a significant extent, this continued ability to “make it new” is closely linked to Muldoon’s characteristically relational writing. Often described (in tones of eulogy or of deprecation) as the epitome
Writing and Seeing: Essays on Word and Image
Agency as Irony: Akrasia and (In)Action in Antony and Cleopatra and Othello
This paper discusses the matter of agency and intention in Shakespearean tragedy from a perspective defined by akrasia, or the perplexity which is posed by a character who wilfully makes a decision (either for action or passivity) the effect of which is contrary to his/her interests —even when everything (in this case, the dramatic situation) indicates s/he should be aware of its consequences. This discussion explores and questions notions of iro…
Atlantic communities: Translation, mobility, hospitality
Historically, the Atlantic Ocean has served to define the relationship between the so-called worlds of the 'Old' and the 'New'. A geographical divide between continents, it is also no less a historical space across which peoples have travelled, sharing ideas and cultural practices, a site of encounter and exchange that has shaped the lives of communities and nations across the globe. This book maps this productive web of multi-layered connections…
Of imaginings, mobility and mapping
Shakespeare Survey 78: Shakespeare and Communities
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 78 is 'Shakespe…
Art (3 works) · Linguistics (3 works) · Literature (3 works) · Philosophy (3 works) · Sociology (3 works) · Computer Science (2 works) · Global Maritime and Colonial Histories (2 works) · History (2 works) · Intertextuality (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works)