Andrés Buesa
Biographic Data
| ID | 6289439 |
|---|---|
| NAME | Andrés Buesa |
| GIVEN NAMES | Andrés |
| FAMILY NAME | Buesa |
| SIGNATURE | BUESA A |
| AFFILIATIONS | Universidad de Zaragoza |
| ORCID | 0000-0002-3601-6560 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Facing Apocalypse
This article engages with the representations and meanings of child figures within US films about environmentally induced displacement. At the intersection between film studies, childhood studies, and the emerging scholarship on climate mobilities (Boas et al., 2022), it explores the ways in which three contemporary apocalyptic films— The Road (2009), Take Shelter (2011), and Greenland (2020)— mediate the relationship between mobility and environ…
Don’t Step Across This Line
This article explores the role of borders in contemporary cities and their implications in social stratification in Ira Sachs’ Little Men (2016). Drawing on border theory and its application to film studies, it first situates the movie within the category of the “border film”, insofar as it focuses on New York urban borders and borderlands as a thematic element; and it uses borders narratively in order to explore the social and racial dynamics be…
“Corruption in/of Cinema”
In
‘Where is here?’
This article explores the ways in which Alice Rohrwacher’s Le maraviglie , as exemplary of a growing tendency within contemporary cinema, negotiates ideas of place and belonging through the trope of the rural child. It contends that the cinematic child in the film articulates a dynamic and open – rather than static, localized and fixed – understanding of place. Against the Romantic tendency to associate childhood and nature as a way of grounding …
No prominent works on this page.
“Corruption in/of Cinema”
In
‘Where is here?’
This article explores the ways in which Alice Rohrwacher’s Le maraviglie , as exemplary of a growing tendency within contemporary cinema, negotiates ideas of place and belonging through the trope of the rural child. It contends that the cinematic child in the film articulates a dynamic and open – rather than static, localized and fixed – understanding of place. Against the Romantic tendency to associate childhood and nature as a way of grounding …
Facing Apocalypse
This article engages with the representations and meanings of child figures within US films about environmentally induced displacement. At the intersection between film studies, childhood studies, and the emerging scholarship on climate mobilities (Boas et al., 2022), it explores the ways in which three contemporary apocalyptic films— The Road (2009), Take Shelter (2011), and Greenland (2020)— mediate the relationship between mobility and environ…
Don’t Step Across This Line
This article explores the role of borders in contemporary cities and their implications in social stratification in Ira Sachs’ Little Men (2016). Drawing on border theory and its application to film studies, it first situates the movie within the category of the “border film”, insofar as it focuses on New York urban borders and borderlands as a thematic element; and it uses borders narratively in order to explore the social and racial dynamics be…
Political science (4 works) · Art (3 works) · Law (3 works) · Sociology (3 works) · Gender Studies (2 works) · Gender Studies (2 works) · Law (2 works) · Literature (2 works) · Movie theater (2 works) · Narrative (2 works)