Abigail Wiese
Biographic Data
| ID | 6297655 |
|---|---|
| NAME | Abigail Wiese |
| GIVEN NAMES | Abigail |
| FAMILY NAME | Wiese |
| SIGNATURE | WIESE A |
| AFFILIATIONS | Nelson Mandela University |
| ORCID | 0009-0006-5944-3844 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Shame, Techne and Embodied Translation in Lara Foot’s Tshepang
This article discusses the techne of performance aesthetics in Lara Foot’s play Tshepang: The Third Testament (2004) in relation to the emotion of shame and the question of how the performers and audience members deal with the emotion. How might we engage with and “translate” feelings of shame in relation to the events surrounding the rape of a nine-month-old baby in 2001, in Louisvale, South Africa? I show how an embodied, affective aesthetic ca…
Autoethnographic Reflections from the Satire Performance of Jenkin’s Woolworths (2017)
Dis/Connection
This article opens a consideration around what the embodied, immersive and live exchange of live performance might make us feel and in turn how this multisensual engagement awakens the feeling body, specifically around notions of touch and shame. The discussion centralises the work of South African visual artist and performance artist, Gabrielle Goliath with a critical reading of Stumbling Block (2011/2017). In Goliath’s durational piece the body…
Lalela uLwandle (Listen to the Sea)
This article is a self-reflexive engagement on the performance, Lalela uLwandle (Listen to the Sea, 2019) created by the South African collective, Empatheatre. I engage with the performance in an affective and embodied way, commenting on my experience of watching myself, watching Lalela uLwandle. I ask how the performance contributes to knowledge production on the ocean, and how it might facilitate agentive engagements with its current health tra…
Lalela uLwandle (Listen to the Sea)
This article is a self-reflexive engagement on the performance, Lalela uLwandle (Listen to the Sea, 2019) created by the South African collective, Empatheatre. I engage with the performance in an affective and embodied way, commenting on my experience of watching myself, watching Lalela uLwandle. I ask how the performance contributes to knowledge production on the ocean, and how it might facilitate agentive engagements with its current health tra…
Lalela uLwandle (Listen to the Sea)
This article is a self-reflexive engagement on the performance, Lalela uLwandle (Listen to the Sea, 2019) created by the South African collective, Empatheatre. I engage with the performance in an affective and embodied way, commenting on my experience of watching myself, watching Lalela uLwandle. I ask how the performance contributes to knowledge production on the ocean, and how it might facilitate agentive engagements with its current health tra…
Dis/Connection
This article opens a consideration around what the embodied, immersive and live exchange of live performance might make us feel and in turn how this multisensual engagement awakens the feeling body, specifically around notions of touch and shame. The discussion centralises the work of South African visual artist and performance artist, Gabrielle Goliath with a critical reading of Stumbling Block (2011/2017). In Goliath’s durational piece the body…
Shame, Techne and Embodied Translation in Lara Foot’s Tshepang
This article discusses the techne of performance aesthetics in Lara Foot’s play Tshepang: The Third Testament (2004) in relation to the emotion of shame and the question of how the performers and audience members deal with the emotion. How might we engage with and “translate” feelings of shame in relation to the events surrounding the rape of a nine-month-old baby in 2001, in Louisvale, South Africa? I show how an embodied, affective aesthetic ca…
Autoethnographic Reflections from the Satire Performance of Jenkin’s Woolworths (2017)
Art (3 works) · Epistemology (3 works) · Philosophy (3 works) · Philosophy (3 works) · Psychology (3 works) · Sociology (3 works) · Aesthetics (2 works) · Embodied cognition (2 works) · Gender Studies (2 works) · Gender Studies (2 works)