Eleni Timplalexi
Biographic Data
| ID | 6297663 |
|---|---|
| NAME | Eleni Timplalexi |
| GIVEN NAMES | Eleni |
| FAMILY NAME | Timplalexi |
| SIGNATURE | TIMPLALEXI E |
| AFFILIATIONS | National and Kapodistrian University of Athens |
| ORCID | 0000-0001-8120-8759 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Theatre in Transition
During the COVID-19 pandemic, pre-recorded and recorded videos were extensively live-streamed or displayed on online platforms, usually as a substitute for the "real thing". Online theatre became an ambassador for theatre performance, remaining selectively oblivious to theatre's innovative digital paths of the past. The synergy between theatre and the digital was significantly reconfigured and its intermedial dimension escaped our collective atte…
Dual Claire
The Anthropocene narrative unfolds a complex and challenging tapestry, where human-induced threats are interwoven with natural disasters. In this context, the discussion on AI encapsulates a certain ambivalence that pervades contemporary perceptions. As a response to the duality inherent in the alignment problem – that is, whether AI will become antagonistic to humanity or not – comes the experimental project Dual Claire (Timplalexi et al. 2021),…
Intermedial and theatrical perspectives of AI
Artificial intelligence (AI), the understanding and building of computational agents that act intelligently, is claimed to be a powerful, pervasive medium. Although we interact with it and hear a lot about it, we do not ‘see’ AI but experience its manifestations and/or outcomes, such as chatterbots and virtual assistants. A criterion for deeming an artificial agent as intelligent has been already proposed by Turing in 1950, coined as the ‘Imitati…
Challenging key certainties in communication through Elleström’s medium-centred1 model of communication
Communication has long been seen as an exchange of information, messages and/or meaning. According to Elleström’s medium-centred model of communication, communication is a process where cognitive imports from producer’s mind(s) are transferred to perceiver’s mind(s) through an intermediate stage/media product. It is here argued that, despite the fact that the latter model phenomenally adheres to the Saussurean ‘speech circuit’ paradigm, it also h…
Minkfestival.com
Theatre Performance through the Intermedial Lens
The communicational dimension of theatre has been thoroughly discussed, whereas the theatrical dimension of communication has not attracted equal attention. However, the leaks between communication and theatre may, in fact, be mutual and bilateral. Such a hypothesis means that the synergy between the two could be rephrased in non-hierarchical terms. A rather solid, unbiased and objective theoretical approach, enabling a comparative analysis betwe…
The medicalisation of learning difficulties through the prism of Bronfenbrenner’s bioecological approach
The purpose of this study is to map the medicalisation of learning difficulties in the remote and mountainous areas in Chania Prefecture, Crete, when pupils are referred to Diagnostic Institutes to be assessed and possibly receive a learning difficulty diagnosis. It provides evidence on the fact that the learning difficulties identification procedure tends to be individually oriented and to neglect contextual dimensions, as well as the interactio…
Challenging key certainties in communication through Elleström’s medium-centred1 model of communication
Communication has long been seen as an exchange of information, messages and/or meaning. According to Elleström’s medium-centred model of communication, communication is a process where cognitive imports from producer’s mind(s) are transferred to perceiver’s mind(s) through an intermediate stage/media product. It is here argued that, despite the fact that the latter model phenomenally adheres to the Saussurean ‘speech circuit’ paradigm, it also h…
Intermedial and theatrical perspectives of AI
Artificial intelligence (AI), the understanding and building of computational agents that act intelligently, is claimed to be a powerful, pervasive medium. Although we interact with it and hear a lot about it, we do not ‘see’ AI but experience its manifestations and/or outcomes, such as chatterbots and virtual assistants. A criterion for deeming an artificial agent as intelligent has been already proposed by Turing in 1950, coined as the ‘Imitati…
The medicalisation of learning difficulties through the prism of Bronfenbrenner’s bioecological approach
The purpose of this study is to map the medicalisation of learning difficulties in the remote and mountainous areas in Chania Prefecture, Crete, when pupils are referred to Diagnostic Institutes to be assessed and possibly receive a learning difficulty diagnosis. It provides evidence on the fact that the learning difficulties identification procedure tends to be individually oriented and to neglect contextual dimensions, as well as the interactio…
Minkfestival.com
Theatre Performance through the Intermedial Lens
The communicational dimension of theatre has been thoroughly discussed, whereas the theatrical dimension of communication has not attracted equal attention. However, the leaks between communication and theatre may, in fact, be mutual and bilateral. Such a hypothesis means that the synergy between the two could be rephrased in non-hierarchical terms. A rather solid, unbiased and objective theoretical approach, enabling a comparative analysis betwe…
Challenging key certainties in communication through Elleström’s medium-centred1 model of communication
Communication has long been seen as an exchange of information, messages and/or meaning. According to Elleström’s medium-centred model of communication, communication is a process where cognitive imports from producer’s mind(s) are transferred to perceiver’s mind(s) through an intermediate stage/media product. It is here argued that, despite the fact that the latter model phenomenally adheres to the Saussurean ‘speech circuit’ paradigm, it also h…
Dual Claire
The Anthropocene narrative unfolds a complex and challenging tapestry, where human-induced threats are interwoven with natural disasters. In this context, the discussion on AI encapsulates a certain ambivalence that pervades contemporary perceptions. As a response to the duality inherent in the alignment problem – that is, whether AI will become antagonistic to humanity or not – comes the experimental project Dual Claire (Timplalexi et al. 2021),…
Intermedial and theatrical perspectives of AI
Artificial intelligence (AI), the understanding and building of computational agents that act intelligently, is claimed to be a powerful, pervasive medium. Although we interact with it and hear a lot about it, we do not ‘see’ AI but experience its manifestations and/or outcomes, such as chatterbots and virtual assistants. A criterion for deeming an artificial agent as intelligent has been already proposed by Turing in 1950, coined as the ‘Imitati…
Theatre in Transition
During the COVID-19 pandemic, pre-recorded and recorded videos were extensively live-streamed or displayed on online platforms, usually as a substitute for the "real thing". Online theatre became an ambassador for theatre performance, remaining selectively oblivious to theatre's innovative digital paths of the past. The synergy between theatre and the digital was significantly reconfigured and its intermedial dimension escaped our collective atte…
Art (5 works) · Computer Science (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Literature (3 works) · Sociology (3 works) · History (2 works) · Media studies (2 works) · Philosophy (2 works) · Psychology (2 works)