Antoinette Maget Dominicé
Biographic Data
| ID | 6298220 |
|---|---|
| NAME | Antoinette Maget Dominicé |
| GIVEN NAMES | Antoinette Maget |
| FAMILY NAME | Dominicé |
| SIGNATURE | DOMINICÉ A M |
| AFFILIATIONS | University of Geneva |
| ORCID | 0000-0001-9056-4544 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Hermeneutics of Restitution, Reparation, and Redress
This is a conference report for “Hermeneutics of Restitution, Reparation, and Redress: The Case of Cultural Property,” hosted on 9 and 10 April, 2026, at the University of Bonn, Center for Dependency and Slavery Studies. Led by Prof. Dr. Matthias Weller of the University of Bonn, Faculty of Law and Economics, this hybrid, international conference featured twenty-five panelists from a range of disciplines who discussed the restitution of cultural …
From origin to future
This article examines the accessibility, transparency, and interconnectivity of provenance research in museum collections. While the field originated in efforts to document Nazi-era looting, it now also addresses colonial contexts, state succession, and broader cultural heritage claims. Drawing on web-harvested data from 42 departments across 14 institutions in Germany and the United States, the article proposes a systematic framework for evaluat…
Kuhn, Nicola
Espaces et systèmes des Inscriptiones de Samuel Quiccheberg, point d’ancrage du musée du xxi e siècle
Dieser Artikel beleuchtet das von Samuel Quiccheberg im Jahre 1565 am Münchner Hofe aufgestellte Traktat für die Organisation und Ordnung einer Kunstkammer aus einer neuen Perspektive, die als Ankerpunkt für Museen im Postdigitalen dienen können. Ein besonderer Fokus wird hierbei auf die bereits von Quiccheberg identifizierten Qualitäten der Ordnung von Systemen und Räumen gelegt, die auch in jüngster Vergangenheit von Philosophen wie Niklas Luhm…
Kunstfreiheit im Verfassungswandel
Seit 100 Jahren ist die Kunstfreiheit in Deutschland verfassungsrechtlich gewährleistet. Wie hat sich das Grundrecht der Kunstfreiheit während dieser Zeitspanne entwickelt? Nachdem es sich in der Weimarer Republik noch nicht gegen eine repressive Strafrechtspraxis durchsetzen konnte, hat vor allem die Rechtsprechung des Bundesverfassungsgerichts das seit 1949 durch das Grundgesetz vorbehaltlos gewährleistete Grundrecht der Kunstfreiheit zu großer…
A Cultural Memory of the Digital Age
Considering digital cultural heritage as the digitalized assets from memory institutions and digital born art, this paper aims to build on its current normative definitions. This first notion addresses the subtle, yet complex relationship between technology and culture. In addition, we consider the criteria set for defining heritage in memory theorization. By doing so, we want to challenge the lack of uniform standards and approaches in dealing w…
The Decision of the German Federal Court of Justice against Facebook
The German Federal Court of Justice recently ruled (27.08.2020 – III ZB 30/20) that Facebook must grant parents direct access to the account of their deceased daughter. At the same time, the parents are prohibited from actively using the account. In this way, the judges established binding standards for the use of social network accounts of deceased users. Beyond inheritance and data protection law, the judgment provides an opportunity to prompt …
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The Decision of the German Federal Court of Justice against Facebook
The German Federal Court of Justice recently ruled (27.08.2020 – III ZB 30/20) that Facebook must grant parents direct access to the account of their deceased daughter. At the same time, the parents are prohibited from actively using the account. In this way, the judges established binding standards for the use of social network accounts of deceased users. Beyond inheritance and data protection law, the judgment provides an opportunity to prompt …
Kunstfreiheit im Verfassungswandel
Seit 100 Jahren ist die Kunstfreiheit in Deutschland verfassungsrechtlich gewährleistet. Wie hat sich das Grundrecht der Kunstfreiheit während dieser Zeitspanne entwickelt? Nachdem es sich in der Weimarer Republik noch nicht gegen eine repressive Strafrechtspraxis durchsetzen konnte, hat vor allem die Rechtsprechung des Bundesverfassungsgerichts das seit 1949 durch das Grundgesetz vorbehaltlos gewährleistete Grundrecht der Kunstfreiheit zu großer…
A Cultural Memory of the Digital Age
Considering digital cultural heritage as the digitalized assets from memory institutions and digital born art, this paper aims to build on its current normative definitions. This first notion addresses the subtle, yet complex relationship between technology and culture. In addition, we consider the criteria set for defining heritage in memory theorization. By doing so, we want to challenge the lack of uniform standards and approaches in dealing w…
Espaces et systèmes des Inscriptiones de Samuel Quiccheberg, point d’ancrage du musée du xxi e siècle
Dieser Artikel beleuchtet das von Samuel Quiccheberg im Jahre 1565 am Münchner Hofe aufgestellte Traktat für die Organisation und Ordnung einer Kunstkammer aus einer neuen Perspektive, die als Ankerpunkt für Museen im Postdigitalen dienen können. Ein besonderer Fokus wird hierbei auf die bereits von Quiccheberg identifizierten Qualitäten der Ordnung von Systemen und Räumen gelegt, die auch in jüngster Vergangenheit von Philosophen wie Niklas Luhm…
Kuhn, Nicola
Hermeneutics of Restitution, Reparation, and Redress
This is a conference report for “Hermeneutics of Restitution, Reparation, and Redress: The Case of Cultural Property,” hosted on 9 and 10 April, 2026, at the University of Bonn, Center for Dependency and Slavery Studies. Led by Prof. Dr. Matthias Weller of the University of Bonn, Faculty of Law and Economics, this hybrid, international conference featured twenty-five panelists from a range of disciplines who discussed the restitution of cultural …
From origin to future
This article examines the accessibility, transparency, and interconnectivity of provenance research in museum collections. While the field originated in efforts to document Nazi-era looting, it now also addresses colonial contexts, state succession, and broader cultural heritage claims. Drawing on web-harvested data from 42 departments across 14 institutions in Germany and the United States, the article proposes a systematic framework for evaluat…
Art (2 works) · Computer Science (2 works) · Cultural heritage (2 works) · German (2 works) · History (2 works) · Museums and Cultural Heritage (2 works) · Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work)