J Mark Percival
Biographic Data
| ID | 6301841 |
|---|---|
| NAME | J Mark Percival |
| GIVEN NAMES | J Mark |
| FAMILY NAME | Percival |
| SIGNATURE | PERCIVAL J M |
| AFFILIATIONS | Queen Margaret University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Right time, right place
To mark the 40th anniversary of punk rock, the British Library ran a free exhibition and a series of associated live spoken-word events in the summer of 2016. Punk was always both outsider (rhetoric, sound, fashion) and insider (the big names of the first-generation UK bands mostly signed to major labels). Using Simon Frith’s framework of three overlapping discourses in popular music (folk, pop and art) I argue that the contradictory strands of i…
Music Radio and the Record Industry
The nature of the economic, social and cultural relations between the radio industry and the record industry is most often characterised by both academics and practitioners as symbiotic, that is, both parties benefit from the interaction. Music radio needs records to fill airtime and to attract audiences and the record industry needs the kind of pervasive exposure that airplay still provides to sell product and to build artist profiles. This pape…
Music Radio and the Record Industry
The nature of the economic, social and cultural relations between the radio industry and the record industry is most often characterised by both academics and practitioners as symbiotic, that is, both parties benefit from the interaction. Music radio needs records to fill airtime and to attract audiences and the record industry needs the kind of pervasive exposure that airplay still provides to sell product and to build artist profiles. This pape…
Music Radio and the Record Industry
The nature of the economic, social and cultural relations between the radio industry and the record industry is most often characterised by both academics and practitioners as symbiotic, that is, both parties benefit from the interaction. Music radio needs records to fill airtime and to attract audiences and the record industry needs the kind of pervasive exposure that airplay still provides to sell product and to build artist profiles. This pape…
Right time, right place
To mark the 40th anniversary of punk rock, the British Library ran a free exhibition and a series of associated live spoken-word events in the summer of 2016. Punk was always both outsider (rhetoric, sound, fashion) and insider (the big names of the first-generation UK bands mostly signed to major labels). Using Simon Frith’s framework of three overlapping discourses in popular music (folk, pop and art) I argue that the contradictory strands of i…
Art (2 works) · Diverse Musicological Studies (2 works) · Law (2 works) · Music History and Culture (2 works) · Political science (2 works) · Popular music (2 works) · Visual arts (2 works) · Active listening (1 works) · Advertising (1 works) · Argument (complex analysis (1 works)