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Jakub Machek

Biographic Data

ID6301903
NAMEJakub Machek
GIVEN NAMESJakub
FAMILY NAMEMachek
SIGNATUREMACHEK J
AFFILIATIONSMetropolitan University Prague
ORCID0000-0003-2646-1908
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS2
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2025
H-INDEX1
  • The (Un)popular Brass

    Yves Chapuis, Ondřej Daniel et al.•ARTICLE•Journal of World Popular Music•2025

    This article examines the (un)popularity of brass bands in Zimbabwe, Switzerland, and Czechia from a comparative transnational perspective. Although shaped by distinct histories and cultural frameworks, brass bands in each country face declining participation and limited appeal among younger generations. In Zimbabwe, brass music is largely confined to military and church institutions and has failed to permeate the broader popular music scene. In …

  • On the de-dichotomisation of the mainstream idea

    Open Access•Bernhard Steinbrecher, Ondřej Daniel et al.•ARTICLE•Popular Music•2025•References: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • From discotheques to clubs

    Jakub Machek•ARTICLE•Journal of Contemporary Central…•2022•Cited by: 2•References: 3

    Discotheques and later the club scene were the means by which several generations of young people met their entertainment and social needs in the Czech lands beginning in the late 1960s. While the late socialist dictatorship insisted that culture be a vehicle for education and enlightenment, the new market-oriented, post-socialist society focused on rapid profits over the quality of young people’s entertainment. Nevertheless, young people managed…

  • From discotheques to clubs

    Jakub Machek•ARTICLE•Journal of Contemporary Central…•2022•Cited by: 2•References: 3

    Discotheques and later the club scene were the means by which several generations of young people met their entertainment and social needs in the Czech lands beginning in the late 1960s. While the late socialist dictatorship insisted that culture be a vehicle for education and enlightenment, the new market-oriented, post-socialist society focused on rapid profits over the quality of young people’s entertainment. Nevertheless, young people managed…

  • From discotheques to clubs

    Jakub Machek•ARTICLE•Journal of Contemporary Central…•2022•Cited by: 2•References: 3

    Discotheques and later the club scene were the means by which several generations of young people met their entertainment and social needs in the Czech lands beginning in the late 1960s. While the late socialist dictatorship insisted that culture be a vehicle for education and enlightenment, the new market-oriented, post-socialist society focused on rapid profits over the quality of young people’s entertainment. Nevertheless, young people managed…

  • The (Un)popular Brass

    Yves Chapuis, Ondřej Daniel et al.•ARTICLE•Journal of World Popular Music•2025

    This article examines the (un)popularity of brass bands in Zimbabwe, Switzerland, and Czechia from a comparative transnational perspective. Although shaped by distinct histories and cultural frameworks, brass bands in each country face declining participation and limited appeal among younger generations. In Zimbabwe, brass music is largely confined to military and church institutions and has failed to permeate the broader popular music scene. In …

  • On the de-dichotomisation of the mainstream idea

    Open Access•Bernhard Steinbrecher, Ondřej Daniel et al.•ARTICLE•Popular Music•2025•References: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Amateur (1 works) · Appeal (1 works) · Brass (1 works)

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