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Chenjerai Kumanyika

Biographic Data

ID6301993
NAMEChenjerai Kumanyika
GIVEN NAMESChenjerai
FAMILY NAMEKumanyika
SIGNATUREKUMANYIKA C
AFFILIATIONSClemson University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS4
WORKS AS AUTHOR4
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2022
H-INDEX1
  • The Capitol Riots

    Sandra Jeppesen, Michael Hoechsmann et al.•BOOK•Capitol Riots•2022

  • The Gig Economy

    Brian Dolber, Michelle Rodino-Colocino et al.•EDITOR•BOOK•Gig Economy•2021

  • We demand justice. We just getting started’

    Open Access•Chenjerai Kumanyika•ARTICLE•Popular Music•2015•Cited by: 1•References: 8

    The hip-hop activism of Pittsburgh's 1Hood Media has been a key element of the success of several contemporary social justice campaigns, such as the 2010 Justice For Jordan Miles police brutality case. After offering some background on 1Hood Media and a discussion of constitutive rhetoric, this study offers a close reading of 1Hood's rhetorical appeal, focusing on the ways in which the audience is constituted as both collective and individual sub…

  • Microphone Czech, Keepin' It Real

    Chenjerai Kumanyika, C Michael Elavsky•ARTICLE•Popular Communication•2013•References: 7

    In 2010, African American artist “Hypno” from the US hip-hop group Spooks collaborated with Debbi Kahl, an up-and-coming Czech singer, to produce a pop song for the Czech music market. This study explores how racial and ethnic codes/categories were implicated in this collaboration and the profound organizing impact these had on several stages of the production process. This study examines several dimensions of this process involving the interplay…

  • Advertainment and the Construction of Decision-making Power in MTV's Making the Band

    Chenjerai Kumanyika•ARTICLE•Popular Music & Society•2011•Cited by: 3•References: 2

    This paper explores the popular MTV show Making the Band as both commentary about the entertainment industry, and a cultural commodity from the entertainment industry. Specifically, it analyzes the program's symbolic construction of the entertainment industry, especially the portrayal of personal agency and decision-making. The concepts of pseudo-realism and advertainment are used to critique how the program targets desirable demographics and mai…

  • Advertainment and the Construction of Decision-making Power in MTV's Making the Band

    Chenjerai Kumanyika•ARTICLE•Popular Music & Society•2011•Cited by: 3•References: 2

    This paper explores the popular MTV show Making the Band as both commentary about the entertainment industry, and a cultural commodity from the entertainment industry. Specifically, it analyzes the program's symbolic construction of the entertainment industry, especially the portrayal of personal agency and decision-making. The concepts of pseudo-realism and advertainment are used to critique how the program targets desirable demographics and mai…

  • We demand justice. We just getting started’

    Open Access•Chenjerai Kumanyika•ARTICLE•Popular Music•2015•Cited by: 1•References: 8

    The hip-hop activism of Pittsburgh's 1Hood Media has been a key element of the success of several contemporary social justice campaigns, such as the 2010 Justice For Jordan Miles police brutality case. After offering some background on 1Hood Media and a discussion of constitutive rhetoric, this study offers a close reading of 1Hood's rhetorical appeal, focusing on the ways in which the audience is constituted as both collective and individual sub…

  • Advertainment and the Construction of Decision-making Power in MTV's Making the Band

    Chenjerai Kumanyika•ARTICLE•Popular Music & Society•2011•Cited by: 3•References: 2

    This paper explores the popular MTV show Making the Band as both commentary about the entertainment industry, and a cultural commodity from the entertainment industry. Specifically, it analyzes the program's symbolic construction of the entertainment industry, especially the portrayal of personal agency and decision-making. The concepts of pseudo-realism and advertainment are used to critique how the program targets desirable demographics and mai…

  • Microphone Czech, Keepin' It Real

    Chenjerai Kumanyika, C Michael Elavsky•ARTICLE•Popular Communication•2013•References: 7

    In 2010, African American artist “Hypno” from the US hip-hop group Spooks collaborated with Debbi Kahl, an up-and-coming Czech singer, to produce a pop song for the Czech music market. This study explores how racial and ethnic codes/categories were implicated in this collaboration and the profound organizing impact these had on several stages of the production process. This study examines several dimensions of this process involving the interplay…

  • We demand justice. We just getting started’

    Open Access•Chenjerai Kumanyika•ARTICLE•Popular Music•2015•Cited by: 1•References: 8

    The hip-hop activism of Pittsburgh's 1Hood Media has been a key element of the success of several contemporary social justice campaigns, such as the 2010 Justice For Jordan Miles police brutality case. After offering some background on 1Hood Media and a discussion of constitutive rhetoric, this study offers a close reading of 1Hood's rhetorical appeal, focusing on the ways in which the audience is constituted as both collective and individual sub…

  • The Gig Economy

    Brian Dolber, Michelle Rodino-Colocino et al.•EDITOR•BOOK•Gig Economy•2021

  • The Capitol Riots

    Sandra Jeppesen, Michael Hoechsmann et al.•BOOK•Capitol Riots•2022

Economics (3 works) · Music History and Culture (3 works) · Political science (3 works) · Sociology (3 works) · Art (2 works) · Business (2 works) · Economy (2 works) · Law (2 works) · Law (2 works) · Media studies (2 works)

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