Matthew Baileyshea
Biographic Data
| ID | 6307050 |
|---|---|
| NAME | Matthew Baileyshea |
| GIVEN NAMES | Matthew |
| FAMILY NAME | Baileyshea |
| SIGNATURE | BAILEYSHEA M |
| AFFILIATIONS | Eastman Chemical Company (Germany) |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
From Me To You: Dynamic Discourse in Popular Music
Scholars have long recognized the complexities of song personas in popular music. Less well recognized is the way that the deployment of pronouns in pop song lyrics can create sudden shifts in the various currents of musical meaning. Although songs often commit to a single point of view, it is quite common for songs to feature complex shifts in discourse, sometimes aligned with important changes in the music. This paper addresses an especially im…
Musical Forces and Interpretation: Some Thoughts on a Measure in Mahler
Steve Larson’s theory of musical forces offers a powerful framework for analyzing music, especially when paired with the concept of agency. This article focuses on a brief passage from Mahler’s “Nun will die Sonn’ so hell aufgeh’n” to show how an emphasis on agency and musical forces can open up a variety of interpretive possibilities. The article distinguishes between three categories of musical forces, offers a simple interpretive method, and e…
T he H eaviest W eight ’: C ircularity and R epetition in a S ong by H ugo W olf
The songs of Hugo Wolf continue to intrigue music theorists, not least because of their characteristic fusion of traditional tonal conventions with sophisticated chromatic processes. This article analyses a particularly intricate example: ‘Mühvoll komm ich und beladen’ from the Spanisches Liederbuch . The song projects a complex pattern of tonal relationships that reinforces an obsessive sense of repetition and circularity – issues that are expli…
From Me To You: Dynamic Discourse in Popular Music
Scholars have long recognized the complexities of song personas in popular music. Less well recognized is the way that the deployment of pronouns in pop song lyrics can create sudden shifts in the various currents of musical meaning. Although songs often commit to a single point of view, it is quite common for songs to feature complex shifts in discourse, sometimes aligned with important changes in the music. This paper addresses an especially im…
T he H eaviest W eight ’: C ircularity and R epetition in a S ong by H ugo W olf
The songs of Hugo Wolf continue to intrigue music theorists, not least because of their characteristic fusion of traditional tonal conventions with sophisticated chromatic processes. This article analyses a particularly intricate example: ‘Mühvoll komm ich und beladen’ from the Spanisches Liederbuch . The song projects a complex pattern of tonal relationships that reinforces an obsessive sense of repetition and circularity – issues that are expli…
Musical Forces and Interpretation: Some Thoughts on a Measure in Mahler
Steve Larson’s theory of musical forces offers a powerful framework for analyzing music, especially when paired with the concept of agency. This article focuses on a brief passage from Mahler’s “Nun will die Sonn’ so hell aufgeh’n” to show how an emphasis on agency and musical forces can open up a variety of interpretive possibilities. The article distinguishes between three categories of musical forces, offers a simple interpretive method, and e…
From Me To You: Dynamic Discourse in Popular Music
Scholars have long recognized the complexities of song personas in popular music. Less well recognized is the way that the deployment of pronouns in pop song lyrics can create sudden shifts in the various currents of musical meaning. Although songs often commit to a single point of view, it is quite common for songs to feature complex shifts in discourse, sometimes aligned with important changes in the music. This paper addresses an especially im…
Linguistics (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Art (2 works) · Computer Science (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Artificial Intelligence (1 works) · Commit (1 works) · Communication (1 works)