HENRY T DRUMMOND
Biographic Data
| ID | 6307077 |
|---|---|
| NAME | HENRY T DRUMMOND |
| GIVEN NAMES | HENRY T |
| FAMILY NAME | DRUMMOND |
| SIGNATURE | DRUMMOND H T |
| ORCID | 0000-0003-0973-7028 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Guillaume-Gabriel Nivers and the Quest for Consistency in Counter-Reformation Chant
This article examines early modern chant reform in the Premonstratensian order, with a geographical focus on the Low Countries. It seeks to document the state of Premonstratensian chants and the varying degrees of inconsistency that prompted the order’s commissioning of chant reformer Guillaume-Gabriel Nivers (ca. 1632–1714) and his Antiphonarium Praemonstratense (1680). While surviving documentary evidence attests to the Premonstratensians’ frus…
Structural Confusion in the Cantigas de Santa Maria
This article addresses links between musical-poetic structure and architecture in four songs of the Cantigas de Santa Maria. Made at Alfonso X of Castile’s court in the latter years of his reign (1252–84), the Cantigas present a unique case of miracle narratives ( cantigas de miragre ) set to song. As Parkinson has shown, the four songs in the Castrojeriz set present technical faults that hinder effective comprehension of their miracle texts. Thi…
Linear Narratives in Cyclical Form
Central to the world of thirteenth‐century Galician‐Portuguese song are the Cantigas de Santa Maria ( CSM ), on whose narrative cantigas de miragre this article focuses. These songs comprise alternations between a refrain and strophes that finish by reiterating the refrain's metre, rhymes and melody. Combining the strictly linear narrative of the miracle cantiga with this cyclical framework poses manifold complications. Self‐contained narrative l…
No prominent works on this page.
Linear Narratives in Cyclical Form
Central to the world of thirteenth‐century Galician‐Portuguese song are the Cantigas de Santa Maria ( CSM ), on whose narrative cantigas de miragre this article focuses. These songs comprise alternations between a refrain and strophes that finish by reiterating the refrain's metre, rhymes and melody. Combining the strictly linear narrative of the miracle cantiga with this cyclical framework poses manifold complications. Self‐contained narrative l…
Guillaume-Gabriel Nivers and the Quest for Consistency in Counter-Reformation Chant
This article examines early modern chant reform in the Premonstratensian order, with a geographical focus on the Low Countries. It seeks to document the state of Premonstratensian chants and the varying degrees of inconsistency that prompted the order’s commissioning of chant reformer Guillaume-Gabriel Nivers (ca. 1632–1714) and his Antiphonarium Praemonstratense (1680). While surviving documentary evidence attests to the Premonstratensians’ frus…
Structural Confusion in the Cantigas de Santa Maria
This article addresses links between musical-poetic structure and architecture in four songs of the Cantigas de Santa Maria. Made at Alfonso X of Castile’s court in the latter years of his reign (1252–84), the Cantigas present a unique case of miracle narratives ( cantigas de miragre ) set to song. As Parkinson has shown, the four songs in the Castrojeriz set present technical faults that hinder effective comprehension of their miracle texts. Thi…
Art (3 works) · History (3 works) · Literature (3 works) · Medieval Iberian Studies (2 works) · Medieval Literature and History (2 works) · Narrative (2 works) · Archaeological and Historical Studies (1 work) · Art history (1 work) · Cartography (1 work) · Computer Science (1 work)