Wye Jamison Allanbrook
Biographic Data
| ID | 6307092 |
|---|---|
| NAME | Wye Jamison Allanbrook |
| GIVEN NAMES | Wye Jamison |
| FAMILY NAME | Allanbrook |
| SIGNATURE | ALLANBROOK W J |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music
Wye Jamison Allanbrook’s The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich tr…
Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni
Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni
Pro Marcellina: The Shape of 'Figaro', Act Iv
Journal Article PRO MARCELLINA: THE SHAPE OF ‘FIGARO’, ACT IV Get access WYE J. ALLANBROOK WYE J. ALLANBROOK Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 63, Issue 1-2, January 1982, Pages 69–84, https://doi.org/10.1093/ml/63.1-2.69 Published: 01 January 1982
Pro Marcellina: The Shape of 'Figaro', Act Iv
Journal Article PRO MARCELLINA: THE SHAPE OF ‘FIGARO’, ACT IV Get access WYE J. ALLANBROOK WYE J. ALLANBROOK Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 63, Issue 1-2, January 1982, Pages 69–84, https://doi.org/10.1093/ml/63.1-2.69 Published: 01 January 1982
Pro Marcellina: The Shape of 'Figaro', Act Iv
Journal Article PRO MARCELLINA: THE SHAPE OF ‘FIGARO’, ACT IV Get access WYE J. ALLANBROOK WYE J. ALLANBROOK Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 63, Issue 1-2, January 1982, Pages 69–84, https://doi.org/10.1093/ml/63.1-2.69 Published: 01 January 1982
Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni
Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni
The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music
Wye Jamison Allanbrook’s The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich tr…
Art (3 works) · Computer Science (3 works) · Musicology and Musical Analysis (3 works) · Aesthetics (2 works) · Artificial Intelligence (2 works) · Diverse Musicological Studies (2 works) · Gesture (2 works) · Humanities (2 works) · Literature (2 works) · MOZART (2 works)