Damian Blättler
Biographic Data
| ID | 6307123 |
|---|---|
| NAME | Damian Blättler |
| GIVEN NAMES | Damian |
| FAMILY NAME | Blättler |
| SIGNATURE | BLÄTTLER D |
| AFFILIATIONS | Rice University |
| ORCID | 0000-0002-1654-5991 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Phrase Rhythm and Loss in the Music of Maurice Ravel
A particular subset of Ravel's output features a phrase‐rhythmic technique wherein tonal and thematic returns are accompanied by surprisingly asymmetrical or ambiguous phrase rhythm. This defies both generic conventions linking thematic reprise and tonal closure to relatively stable phrase rhythm and specific expectations created by these works’ formal processes, and contrasts with trajectories moving from phrase‐rhythmic instability to stability…
A Voicing-Based Model for Additive Harmony
This article develops, for the Parisian modernist repertoire, a model of additive harmony in which voicing plays a foundational role. In comparison with the conventional extended-triad model of additive harmony, the voicing-based model better describes the range of novel verticalities used in tonal progressions in this repertoire, and the features that allow those verticalities to serve as stand-ins for common-practice chords. This study also enr…
No prominent works on this page.
A Voicing-Based Model for Additive Harmony
This article develops, for the Parisian modernist repertoire, a model of additive harmony in which voicing plays a foundational role. In comparison with the conventional extended-triad model of additive harmony, the voicing-based model better describes the range of novel verticalities used in tonal progressions in this repertoire, and the features that allow those verticalities to serve as stand-ins for common-practice chords. This study also enr…
Phrase Rhythm and Loss in the Music of Maurice Ravel
A particular subset of Ravel's output features a phrase‐rhythmic technique wherein tonal and thematic returns are accompanied by surprisingly asymmetrical or ambiguous phrase rhythm. This defies both generic conventions linking thematic reprise and tonal closure to relatively stable phrase rhythm and specific expectations created by these works’ formal processes, and contrasts with trajectories moving from phrase‐rhythmic instability to stability…
Art (2 works) · Computer Science (2 works) · Linguistics (2 works) · Musicology and Musical Analysis (2 works) · Neuroscience and Music Perception (2 works) · Philosophy (2 works) · Speech recognition (2 works) · Acoustics (1 work) · Aesthetics (1 work) · Communication (1 work)