Julia J A Shaw
Biographic Data
| ID | 6308020 |
|---|---|
| NAME | Julia J A Shaw |
| GIVEN NAMES | Julia J A |
| FAMILY NAME | Shaw |
| SIGNATURE | SHAW J J A |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Of Comics and Legal Aesthetics
Like law, comics use a hierarchical vocabulary of signs, symbols and icons which is synonymous with the symbolic order of intersubjective relations, and ‘produced in the dialogue and discourse all about us: in the things that we read and say, in the music we listen to, and in the art we grow up with’ (Manderson 2003: 93). Such visual aesthetic forms increase awareness of ‘a multiplicity of dissident perspectives which stimulate ‘free play of the …
Against Myths and Traditions that Emasculate Women
Towards a Critical Theory of Constitutional Law
In this article we will present an account of Hegel's critical theory of citizenship within the modem state. This account constitutes a potential resource for those who seek to engage in a critical analysis of the foundation, legitimacy, and manner of application of some key doctrines and assumptions of orthodox constitutional law. A Hegelian approach is shown to provide a distinctive, and arguably superior, conception of the nature of constituti…
No prominent works on this page.
Towards a Critical Theory of Constitutional Law
In this article we will present an account of Hegel's critical theory of citizenship within the modem state. This account constitutes a potential resource for those who seek to engage in a critical analysis of the foundation, legitimacy, and manner of application of some key doctrines and assumptions of orthodox constitutional law. A Hegelian approach is shown to provide a distinctive, and arguably superior, conception of the nature of constituti…
Against Myths and Traditions that Emasculate Women
Of Comics and Legal Aesthetics
Like law, comics use a hierarchical vocabulary of signs, symbols and icons which is synonymous with the symbolic order of intersubjective relations, and ‘produced in the dialogue and discourse all about us: in the things that we read and say, in the music we listen to, and in the art we grow up with’ (Manderson 2003: 93). Such visual aesthetic forms increase awareness of ‘a multiplicity of dissident perspectives which stimulate ‘free play of the …
Law (3 works) · Political science (3 works) · Sociology (3 works) · Art (2 works) · Law (2 works) · Art history (1 work) · Citation (1 work) · Comics (1 work) · Critical Theory and Philosophy (1 work) · Doctrine (1 work)