Vincent M Gaine
Biographic Data
| ID | 6324930 |
|---|---|
| NAME | Vincent M Gaine |
| GIVEN NAMES | Vincent M |
| FAMILY NAME | Gaine |
| SIGNATURE | GAINE V M |
| AFFILIATIONS | University of Wolverhampton |
| ORCID | 0000-0002-6512-3955 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Kathryn Bigelow
This article argues that Kathryn Bigelow is an auteur of new action realism, a distinct sub-genre within contemporary action cinema. Bigelow’s films entail unresolved narratives and an aesthetic characterised by claustrophobic immediacy and obscuration. Through discussion of theory, genre, narrative and style in The Hurt Locker and Zero Dark Thirty, I argue that Bigelow problematises notions of film realism. Bigelow’s work brings the viewer into …
Superheroes On World Screens
There are now superheroes from every corner of the world, and they are becoming increasingly important within local and global cultures alike. This collection brings together a wide range of film, television and media experts from around the world in discussion of the places and positions that superheroes occupy in local, transnational and global culture. Within local media culture, superheroes occupy everything from subaltern to highly commercia…
No prominent works on this page.
Superheroes On World Screens
There are now superheroes from every corner of the world, and they are becoming increasingly important within local and global cultures alike. This collection brings together a wide range of film, television and media experts from around the world in discussion of the places and positions that superheroes occupy in local, transnational and global culture. Within local media culture, superheroes occupy everything from subaltern to highly commercia…
Kathryn Bigelow
This article argues that Kathryn Bigelow is an auteur of new action realism, a distinct sub-genre within contemporary action cinema. Bigelow’s films entail unresolved narratives and an aesthetic characterised by claustrophobic immediacy and obscuration. Through discussion of theory, genre, narrative and style in The Hurt Locker and Zero Dark Thirty, I argue that Bigelow problematises notions of film realism. Bigelow’s work brings the viewer into …
Digital Games and Media (2 works) · Aesthetics (1 work) · Art (1 work) · Cinema and Media Studies (1 work) · Confusion (1 work) · Epistemology (1 work) · Heroes in motion pictures (1 work) · History (1 work) · History (1 work) · History and criticism (1 work)