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Kyle Barrett

Biographic Data

ID6329170
NAMEKyle Barrett
GIVEN NAMESKyle
FAMILY NAMEBarrett
SIGNATUREBARRETT K
AFFILIATIONSUniversity of Waikato
ORCID0000-0002-4395-5670
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Ullo john! Gotta new podcast? Alexei Sayle, political humour and podcasting

    Kyle Barrett•ARTICLE•Comedy Studies•2026•References: 6

  • Can't we talk about class

    Kyle Barrett, Bill Cochrane•ARTICLE•Journal of Australian indigenous…•2025

    In Aotearoa-New Zealand (ANZ), class discourse is notably absent from mainstream socio-cultural-political narratives.The perception of an egalitarian society is challenged by its continuous promotion of neoliberal ideology, policy and practice, resulting in a fractured society.As a colonised nation, this has exacerbated poor class relations and limited social mobility.This paper examines ANZ's complex political history to better understand how wo…

  • Do androids dream of adventure games? Blade Runner , Hollywood and video game adaptation

    Open Access•Kyle Barrett•ARTICLE•Convergence The International…•2025

    Although Blade Runner (1982) initially failed at the box office, Ridley Scott’s cyberpunk/neo-noir film has since become a seminal work, widely regarded for its enduring influence and inspiration. The release of Blade Runner: The Director’s Cut (1992) removed elements Scott considered to be producer-imposed weaknesses, a vision fully realised in Blade Runner: The Final Cut (2007). A belated sequel, Blade Runner 2049 (Denis Villeneuve, 2017), also…

  • A non-fiction fiction

    Kyle Barrett•ARTICLE•New Cinemas Journal of…•2024

    The work of Pedro Costa predominately focuses on impoverished communities living in Lisbon’s periphery. Furthermore, his stylistic choices, editing rhythms and use of non-professional actors have been considered as part of the ‘slow cinema’ tradition. This is further supported by an often harsh and unromantic mise en scène . Costa’s cinema, paradoxically, embraces and rejects much of this discourse. His films can be considered an interstice withi…

  • A green room scuffle in screen production research

    Kyle Barrett•ARTICLE•Media Practice and Education•2022

    Screen Production Research (SPR) is a developing field within the academy. SPR blends theoretical and practical methodologies to produce creative outputs, such as films, scripts, multimedia projects, etc. as research. This article will review my short documentary work with an emphasis on the most recent project, Glass Shards (2020). All of these creative projects will be contextualised within SPR frameworks to highlight the successes and challeng…

  • Three Illuminated Videos

    Open Access•Kyle Barrett, Ilona Krawczyk et al.•ARTICLE•Journal of Embodied Research•2021

    Kyle Barrett, “Illuminated: Antisyzygy” (8:40) — Blending film and painting, the video postulates several questions arising from the COVID-19 pandemic via the notion of “antisyzygy” or the in-between state in which, globally, society has found itself. Ilona Krawczyk, “More than one voice” (10:00) — Why do I feel connected to something which is beyond me, which comes from the past, which I don’t understand? But there are those moments of unconscio…

  • Electric Dreamland

    Open Access•Kyle Barrett•ARTICLE•European Journal of Communication•2014

No prominent works on this page.

  • Electric Dreamland

    Open Access•Kyle Barrett•ARTICLE•European Journal of Communication•2014

  • Three Illuminated Videos

    Open Access•Kyle Barrett, Ilona Krawczyk et al.•ARTICLE•Journal of Embodied Research•2021

    Kyle Barrett, “Illuminated: Antisyzygy” (8:40) — Blending film and painting, the video postulates several questions arising from the COVID-19 pandemic via the notion of “antisyzygy” or the in-between state in which, globally, society has found itself. Ilona Krawczyk, “More than one voice” (10:00) — Why do I feel connected to something which is beyond me, which comes from the past, which I don’t understand? But there are those moments of unconscio…

  • A green room scuffle in screen production research

    Kyle Barrett•ARTICLE•Media Practice and Education•2022

    Screen Production Research (SPR) is a developing field within the academy. SPR blends theoretical and practical methodologies to produce creative outputs, such as films, scripts, multimedia projects, etc. as research. This article will review my short documentary work with an emphasis on the most recent project, Glass Shards (2020). All of these creative projects will be contextualised within SPR frameworks to highlight the successes and challeng…

  • A non-fiction fiction

    Kyle Barrett•ARTICLE•New Cinemas Journal of…•2024

    The work of Pedro Costa predominately focuses on impoverished communities living in Lisbon’s periphery. Furthermore, his stylistic choices, editing rhythms and use of non-professional actors have been considered as part of the ‘slow cinema’ tradition. This is further supported by an often harsh and unromantic mise en scène . Costa’s cinema, paradoxically, embraces and rejects much of this discourse. His films can be considered an interstice withi…

  • Can't we talk about class

    Kyle Barrett, Bill Cochrane•ARTICLE•Journal of Australian indigenous…•2025

    In Aotearoa-New Zealand (ANZ), class discourse is notably absent from mainstream socio-cultural-political narratives.The perception of an egalitarian society is challenged by its continuous promotion of neoliberal ideology, policy and practice, resulting in a fractured society.As a colonised nation, this has exacerbated poor class relations and limited social mobility.This paper examines ANZ's complex political history to better understand how wo…

  • Do androids dream of adventure games? Blade Runner , Hollywood and video game adaptation

    Open Access•Kyle Barrett•ARTICLE•Convergence The International…•2025

    Although Blade Runner (1982) initially failed at the box office, Ridley Scott’s cyberpunk/neo-noir film has since become a seminal work, widely regarded for its enduring influence and inspiration. The release of Blade Runner: The Director’s Cut (1992) removed elements Scott considered to be producer-imposed weaknesses, a vision fully realised in Blade Runner: The Final Cut (2007). A belated sequel, Blade Runner 2049 (Denis Villeneuve, 2017), also…

  • Ullo john! Gotta new podcast? Alexei Sayle, political humour and podcasting

    Kyle Barrett•ARTICLE•Comedy Studies•2026•References: 6

Art (3 works) · Cinema and Media Studies (3 works) · Sociology (3 works) · Artistic and Creative Research (2 works) · Movie theater (2 works) · Visual arts (2 works) · Adventure (1 work) · Aesthetics (1 work) · American Literature and Humor Studies (1 work) · Amusement (1 work)

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