Emilie Chalmin
Datos Biográficos
| ID | 633292 |
|---|---|
| NOMBRE | Emilie Chalmin |
| NOMBRES | Emilie |
| APELLIDO | Chalmin |
| FIRMA | CHALMIN E |
| AFILIACIONES | Université Savoie Mont Blanc |
| ORCID | 0000-0001-9537-773X |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 19 |
| TOTAL DE CITAS | 36 |
| TOTAL COMO AUTOR | 19 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2003 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2027 |
| ÍNDICE H | 3 |
Evolution and Uses of Rock Art Sites
Searching for reds and yellows at a Magdalenian open-air site
Colouring materials, serving versatile functions, are common in Upper Palaeolithic sites. At Pincevent, Level IV0, these materials were used both to produce pigment powders and to manufacture a unique type of artefact: perforated discs. This specific production likely influenced the strategies for acquiring colouring materials. A comparison of provenance studies from levels IV0 and IV20 at Pincevent, dating to the Late Magdalenian (15–14 ka cal B…
Why is it so difficult to work on geochemical composition? Supervised geochemical composition data processing to study colouring iron oxide-rich rocks in archaeological contexts
A new methodology for incorporating weathering products into analyses of prehistoric pictorial matter
The ornamentation steps of the Bull Rotunda of the Lascaux cave give new insights into the Upper Palaeolithic natural life cycle
Although the ornamentation of the Lascaux cave seems relatively homogeneous in style, the analysis by scanning and transmission electron microscopy of 32 microsamples from the figures of the Hall of the Bulls (Bull Rotunda) and one desquamated sample from the soil highlighted different paint pots. The black and red paint matters with their associated mineralogical phases were extensively characterized. Considering previous stylistic and superimpo…
Light in the cave
The formation of silica coatings on the cave walls of the Points cave raises questions about the analytical access to the specificities of the pictorial material (geochemistry and petrography); and about the state of conservation of the rock art. Conventional in situ spectroscopic techniques (pXRF, pRaman) are ineffective to identify and characterize these coatings. In this study, we propose to use a UV fluorescence method for the detection and r…
État des lieux de l’archéométrie
L’organisation du XXIIIe colloque « Archéométrie » du GMPCA à Chambéry (France) en mai 2022 a été l’occasion de rassembler les acteurs de la recherche en archéométrie avec pour ambition d’illustrer les apports des approches intégratives dans l’étude des sites archéologiques et dans la formalisation de nouveaux concepts, comme celui de la biographie de l’objet. Cet article présente un aperçu des études présentées et introduit cette réflexion sur l…
The contribution of VNIR and SWIR hyperspectral imaging to rock art studies
A geological collection and methodology for tracing the provenance of Palaeolithic colouring materials
Although prehistoric sites frequently contain numerous fragments and traces of many different kinds of colouring matter, intensive study of this type of archaeological remains began only recently. Such studies, aimed at determining how raw materials formed and changed over time, and how they were transported by the groups of humans who used them, are extremely valuable as they reveal shared strategies, that is, cultural traditions and the spaces …
Contribution and limits of portable X-ray fluorescence for studying Palaeolithic rock art
From archeological layers to schematic rock art? Integrated study of the Neolithic pigments and pigmented rocks at the Rocher du Château (Western Alps, Savoie, France)
Postcards from the outside
The archaeomorphological study of Nawarla Gabarnmang in Australia's Northern Territory challenges us to think in new ways about how Aboriginal people interacted with their surroundings; here a site of everyday engagement was a place of construction that retains material traces of past engagements. At Nawarla Garbarnmang, we show through archaeomorphological research how the changing physical layout of a site can be cross-examined against the impa…
Determining the age of paintings at JSARN–113/23, Jawoyn Country, central-western Arnhem Land plateau
Western Arnhem Land, in the Top End of Australia's Northern Territory, has a rich archaeological landscape, ethnographic record and body of rock art that displays an astonishing array of imagery on shelter walls and ceilings.While the archaeology goes back to the earliest period of Aboriginal occupation of the continent, the rock art represents some of the richest, most diverse and visually most impressive regional assemblages anywhere in the wor…
Archaeology of JSARN–124 site 3, central-western Arnhem Land
terra australis
Dating painted Panel E1 at Nawarla Gabarnmang, central-western Arnhem Land plateau
Western Arnhem Land, in the Top End of Australia’s Northern Territory, has a rich archaeological landscape, ethnographic record and body of rock art that displays an astonishing array of imagery on shelter walls and ceilings. While the archaeology goes back to the earliest period of Aboriginal occupation of the continent, the rock art represents some of the richest, most diverse and visually most impressive regional assemblages anywhere in the wo…
Geochemical analysis of the painted panels at the “Genyornis” rock art site, Arnhem Land, Australia
Le groupe des « bisons adossés » de Lascaux. Étude de la technique de l'artiste par analyse des pigments
Les blasons de Lascaux
Analysis of rock art painting and technology of Palaeolithic painters
Archaeologists have attempted the interpretation of rock art, but have often disregarded the technical aspects of paints. Analysing paint samples for preparation techniques and studying the various compounds used, allows us to determine the technology of early painters. Palaeolithic artists used two main colours: red (iron oxide: natural hematite or heated goethite) and black (charcoal or manganese oxides). These pigments could be prepared in dif…
Le groupe des « bisons adossés » de Lascaux. Étude de la technique de l'artiste par analyse des pigments
From archeological layers to schematic rock art? Integrated study of the Neolithic pigments and pigmented rocks at the Rocher du Château (Western Alps, Savoie, France)
The contribution of VNIR and SWIR hyperspectral imaging to rock art studies
Contribution and limits of portable X-ray fluorescence for studying Palaeolithic rock art
The ornamentation steps of the Bull Rotunda of the Lascaux cave give new insights into the Upper Palaeolithic natural life cycle
Although the ornamentation of the Lascaux cave seems relatively homogeneous in style, the analysis by scanning and transmission electron microscopy of 32 microsamples from the figures of the Hall of the Bulls (Bull Rotunda) and one desquamated sample from the soil highlighted different paint pots. The black and red paint matters with their associated mineralogical phases were extensively characterized. Considering previous stylistic and superimpo…
Analysis of rock art painting and technology of Palaeolithic painters
Archaeologists have attempted the interpretation of rock art, but have often disregarded the technical aspects of paints. Analysing paint samples for preparation techniques and studying the various compounds used, allows us to determine the technology of early painters. Palaeolithic artists used two main colours: red (iron oxide: natural hematite or heated goethite) and black (charcoal or manganese oxides). These pigments could be prepared in dif…
Les blasons de Lascaux
Le groupe des « bisons adossés » de Lascaux. Étude de la technique de l'artiste par analyse des pigments
Postcards from the outside
The archaeomorphological study of Nawarla Gabarnmang in Australia's Northern Territory challenges us to think in new ways about how Aboriginal people interacted with their surroundings; here a site of everyday engagement was a place of construction that retains material traces of past engagements. At Nawarla Garbarnmang, we show through archaeomorphological research how the changing physical layout of a site can be cross-examined against the impa…
Determining the age of paintings at JSARN–113/23, Jawoyn Country, central-western Arnhem Land plateau
Western Arnhem Land, in the Top End of Australia's Northern Territory, has a rich archaeological landscape, ethnographic record and body of rock art that displays an astonishing array of imagery on shelter walls and ceilings.While the archaeology goes back to the earliest period of Aboriginal occupation of the continent, the rock art represents some of the richest, most diverse and visually most impressive regional assemblages anywhere in the wor…
Archaeology of JSARN–124 site 3, central-western Arnhem Land
terra australis
Dating painted Panel E1 at Nawarla Gabarnmang, central-western Arnhem Land plateau
Western Arnhem Land, in the Top End of Australia’s Northern Territory, has a rich archaeological landscape, ethnographic record and body of rock art that displays an astonishing array of imagery on shelter walls and ceilings. While the archaeology goes back to the earliest period of Aboriginal occupation of the continent, the rock art represents some of the richest, most diverse and visually most impressive regional assemblages anywhere in the wo…
Geochemical analysis of the painted panels at the “Genyornis” rock art site, Arnhem Land, Australia
From archeological layers to schematic rock art? Integrated study of the Neolithic pigments and pigmented rocks at the Rocher du Château (Western Alps, Savoie, France)
A geological collection and methodology for tracing the provenance of Palaeolithic colouring materials
Although prehistoric sites frequently contain numerous fragments and traces of many different kinds of colouring matter, intensive study of this type of archaeological remains began only recently. Such studies, aimed at determining how raw materials formed and changed over time, and how they were transported by the groups of humans who used them, are extremely valuable as they reveal shared strategies, that is, cultural traditions and the spaces …
Contribution and limits of portable X-ray fluorescence for studying Palaeolithic rock art
Light in the cave
The formation of silica coatings on the cave walls of the Points cave raises questions about the analytical access to the specificities of the pictorial material (geochemistry and petrography); and about the state of conservation of the rock art. Conventional in situ spectroscopic techniques (pXRF, pRaman) are ineffective to identify and characterize these coatings. In this study, we propose to use a UV fluorescence method for the detection and r…
État des lieux de l’archéométrie
L’organisation du XXIIIe colloque « Archéométrie » du GMPCA à Chambéry (France) en mai 2022 a été l’occasion de rassembler les acteurs de la recherche en archéométrie avec pour ambition d’illustrer les apports des approches intégratives dans l’étude des sites archéologiques et dans la formalisation de nouveaux concepts, comme celui de la biographie de l’objet. Cet article présente un aperçu des études présentées et introduit cette réflexion sur l…
The contribution of VNIR and SWIR hyperspectral imaging to rock art studies
The ornamentation steps of the Bull Rotunda of the Lascaux cave give new insights into the Upper Palaeolithic natural life cycle
Although the ornamentation of the Lascaux cave seems relatively homogeneous in style, the analysis by scanning and transmission electron microscopy of 32 microsamples from the figures of the Hall of the Bulls (Bull Rotunda) and one desquamated sample from the soil highlighted different paint pots. The black and red paint matters with their associated mineralogical phases were extensively characterized. Considering previous stylistic and superimpo…
Why is it so difficult to work on geochemical composition? Supervised geochemical composition data processing to study colouring iron oxide-rich rocks in archaeological contexts
A new methodology for incorporating weathering products into analyses of prehistoric pictorial matter
Searching for reds and yellows at a Magdalenian open-air site
Colouring materials, serving versatile functions, are common in Upper Palaeolithic sites. At Pincevent, Level IV0, these materials were used both to produce pigment powders and to manufacture a unique type of artefact: perforated discs. This specific production likely influenced the strategies for acquiring colouring materials. A comparison of provenance studies from levels IV0 and IV20 at Pincevent, dating to the Late Magdalenian (15–14 ka cal B…
Evolution and Uses of Rock Art Sites
Archaeology (14 obras) · Geography (12 obras) · Pleistocene-Era Hominins and Archaeology (12 obras) · Geology (9 obras) · Rock art (9 obras) · Archaeology and Rock Art Studies (8 obras) · Cultural Heritage Materials Analysis (8 obras) · Art (7 obras) · Building materials and conservation (6 obras) · Painting (6 obras)