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Jean Fisher

Biographic Data

ID6335371
NAMEJean Fisher
GIVEN NAMESJean
FAMILY NAMEFisher
SIGNATUREFISHER J
AFFILIATIONSGoldsmiths University of London
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS5
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2011
H-INDEX1
  • Maintaining Legacy

    Jean Fisher•ARTICLE•Journal of Palestine Studies•2011

  • Palestinian Art

    Jean Fisher•ARTICLE•Third Text•2010•Cited by: 1

    The failure of the Western media to open a public forum to the modern history of Palestinian culture is among the tragedies of the ongoing conflict. The publication of the artist Kamal Boullata’s scholarly book is the first comprehensive anglophone account of what has been, and continues to be lost through Israel’s systematic Judaisation of the territory and eradication or appropriation of Arab heritage. Articulating aesthetic concerns with socio…

  • Voices in the Singular Plural

    Jean Fisher, Pip Fisher•ARTICLE•Third Text•2009

    The realisation of ‘Palestine c/o Venice’ as a ‘collateral event’ at the 53rd Venice Biennale confounded attempts to isolate modern Palestinian culture from the international community. Following a brief introduction to the history of Palestine and the Venice Biennale, the article gives an account of the aesthetic and conceptual concerns of the artists in ‘Palestine c/o Venice’, addressing both Palestinian and international audiences. The unexpla…

  • Unsettled accounts of Indians and others

    Jean Fisher•CHAPTER•Myth of Primitivism•2006

    The story of the white man’s invention of the Indian and how this image sustained America’s myth of civilization has been ably documented.2 In order for the myth to be realized, the Red Body was to be drained of its life-blood and transformed into a pale shadow of the colonizer, while providing the transfusion that would revitalize this alien. Native America was to be no more than a punctuation mark at an erased site of difference: a vampirized b…

  • Everlyn Nicodemus

    Jean Fisher•ARTICLE•Wasafiri•2000

  • Everlyn Nicodemus

    Jean Fisher•ARTICLE•Third Text•1997•References: 2

  • The savage gift

    Jean Fisher•ARTICLE•Third Text•1992

  • Dancing with words and speaking with forked tongues

    Jean Fisher•ARTICLE•Third Text•1991•Cited by: 2•References: 4

  • Other cartographies

    Jean Fisher•ARTICLE•Third Text•1989•Cited by: 1

  • The health of the people is the highest law

    Jean Fisher•ARTICLE•Third Text•1987•Cited by: 1

  • Dancing with words and speaking with forked tongues

    Jean Fisher•ARTICLE•Third Text•1991•Cited by: 2•References: 4

  • Palestinian Art

    Jean Fisher•ARTICLE•Third Text•2010•Cited by: 1

    The failure of the Western media to open a public forum to the modern history of Palestinian culture is among the tragedies of the ongoing conflict. The publication of the artist Kamal Boullata’s scholarly book is the first comprehensive anglophone account of what has been, and continues to be lost through Israel’s systematic Judaisation of the territory and eradication or appropriation of Arab heritage. Articulating aesthetic concerns with socio…

  • Other cartographies

    Jean Fisher•ARTICLE•Third Text•1989•Cited by: 1

  • The health of the people is the highest law

    Jean Fisher•ARTICLE•Third Text•1987•Cited by: 1

  • The health of the people is the highest law

    Jean Fisher•ARTICLE•Third Text•1987•Cited by: 1

  • Other cartographies

    Jean Fisher•ARTICLE•Third Text•1989•Cited by: 1

  • Dancing with words and speaking with forked tongues

    Jean Fisher•ARTICLE•Third Text•1991•Cited by: 2•References: 4

  • The savage gift

    Jean Fisher•ARTICLE•Third Text•1992

  • Everlyn Nicodemus

    Jean Fisher•ARTICLE•Third Text•1997•References: 2

  • Everlyn Nicodemus

    Jean Fisher•ARTICLE•Wasafiri•2000

  • Unsettled accounts of Indians and others

    Jean Fisher•CHAPTER•Myth of Primitivism•2006

    The story of the white man’s invention of the Indian and how this image sustained America’s myth of civilization has been ably documented.2 In order for the myth to be realized, the Red Body was to be drained of its life-blood and transformed into a pale shadow of the colonizer, while providing the transfusion that would revitalize this alien. Native America was to be no more than a punctuation mark at an erased site of difference: a vampirized b…

  • Voices in the Singular Plural

    Jean Fisher, Pip Fisher•ARTICLE•Third Text•2009

    The realisation of ‘Palestine c/o Venice’ as a ‘collateral event’ at the 53rd Venice Biennale confounded attempts to isolate modern Palestinian culture from the international community. Following a brief introduction to the history of Palestine and the Venice Biennale, the article gives an account of the aesthetic and conceptual concerns of the artists in ‘Palestine c/o Venice’, addressing both Palestinian and international audiences. The unexpla…

  • Palestinian Art

    Jean Fisher•ARTICLE•Third Text•2010•Cited by: 1

    The failure of the Western media to open a public forum to the modern history of Palestinian culture is among the tragedies of the ongoing conflict. The publication of the artist Kamal Boullata’s scholarly book is the first comprehensive anglophone account of what has been, and continues to be lost through Israel’s systematic Judaisation of the territory and eradication or appropriation of Arab heritage. Articulating aesthetic concerns with socio…

  • Maintaining Legacy

    Jean Fisher•ARTICLE•Journal of Palestine Studies•2011

Art (5 works) · Sociology (5 works) · History (4 works) · Political science (4 works) · History (3 works) · Law (3 works) · Law (3 works) · Classical Philosophy and Thought (2 works) · Geography (2 works) · Historical and Literary Studies (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae